Peter Pears

Robert Carsen's production of Benjamin Britten's opera for Gran Teatre del Liceu, Barcelona.

A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Billy Budd be hanged for murder?

The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.

Tony Palmer's documentary about the staging of Britten's choral work.

Long considered lost footage, this exceptional concert, which originally aired April 14, 1968, on the BBC, is a full-colour performance of Edward Elgar’s The Dream of Gerontius recorded inside the stunning Canterbury Cathedral and featuring three of the greatest voices of the era: mezzo-soprano Dame Janet Baker, tenor Sir Peter Pears, and bass-baritone John Shirley-Quirk. Conducted by Sir Adrian Boult, ardent champion and esteemed interpreter of Elgar’s works, this concert film — which required eight of the nine existing colour cameras in the UK at the time — constitutes a rare and treasured artifact marking the beginning of high-quality colour footage of British operatic productions.

When a fairy king quarrels with his queen over a young changeling, he orders his servant, a mischievous sprite, to play a prank on her with hilarious consequences. Adapting Shakespeare’s classic comedy of confused identities, bewildered lovers and a startling metamorphosis, Britten’s A Midsummer Night’s Dream comprises the composer’s perhaps most atmospheric score. An entrancing orchestration of instrumental colours breathes life into a magic wood setting the scene for a mysterious dream world.

This is a live performance of BENJAMIN BRITTEN's "A Midsummer Night's Dream" shot at Teatro del Liceu in April of 2005 featuring singers DAVID DANIELS, OFELIA SALA, GORDON GIETZ & WILLIAM DAZELEY. HARRY BICKET conducts Orquestra Simfonica del Gran Teatro del Liceu. The production received such great reviews & audience reaction that performances continued in various opera houses throughout Europe that same year. The stage direction by ROBERT CARSEN also received rave reviews and is what is seen here in this program.

A biographical documentary that profiles composer-pianist Benjamin Britten (1913-1976). Still widely regarded as one of the most astonishing musical talents in British history, Britten drew many a comparison to Wolfgang Amadeus Mozart; he enjoyed his most prolific relationship, on both professional/creative and personal/romantic levels, with vocalist Peter Pears, for whom Britten created many of the central roles in his operas. Griffiths' film explores three of Britten's foremost works, +Peter Grimes, +Death in Venice, and +War Requiem, while touching on the professional and personal nuances of the men's relationship.

A family conflict ensues after Owen, the youngest of the proud military family Wingrave, expected to continue the family tradition and become a soldier, rejects violence and war and proclaims himself a pacifist.

Benjamin Britten, Nocturne for Tenor, Chamber Opera Orchestra

This TV production is from 1970 and the color picture is accordingly rich and beautiful. The sound however is below average for the era, but still ... twiddle the knobs, turn the bass up a little, and get acclimated. This is a fully traditional production, actually very pleasing in that regard.

This 1969 BBC production is about as close as we can get to a definitive version of Benjamin Britten's PETER GRIMES, one of the greatest 20th Century operas. The story of the individualistic fisherman hounded by his neighbors who believe he murdered his young apprentice packs tremendous emotional power. The compelling narrative is richly enhanced by its subtexts: the lone outsider versus the conformist mob; the dreamer of improbable dreams that lead to tragedy; the artist (dreamer) versus the Philistines, and the homosexual overtones of Grimes' abuse of his child apprentices. Britten is conductor of his work and tenor Peter Pears is Grimes, 25 years after he created the title role at the opera's premiere. As the widow Ellen Orford, soprano Heather Harper is magnificent. Best of all, the sea is an ever-present actor here. When we don't see it in the background it exerts its presence in the abundant visual references to nets, barrels, and other paraphernalia of a seaside fishing village.