Larry Sider

Simon Pummell's (Bodysong) visually ravishing sci-fi thriller exploring the future of virtual reality and the desire to transcend human limits. The theft of an experimental drug to suppress the immune system reveals a case of virtual reality addiction and forces a detective to confront his nightmares.

Robinson is commissioned to investigate the unspecified "problem of England." The narrator describes his seven excursions, with the unseen Robinson, around the country. They mainly concentrate on ports, power stations, prisons, and manufacturing plants, but they also bring in various literary connections, as well as a few conventional landscapes.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

A psycho-geographic journey through London and its history, as undertaken by an unseen narrator and his companion, Robinson, at the time of the 1992 general election.

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

Docimentary about the work of the Qway Brothers for their film Institute Benjamenta, or This Dream People Call Human Life

Not Waving, But Drowning materialises the experience of Indian refugees during their arrest and detention by the harbour police in Zeebruges, Belgium. Within the tense, haunted context of the harbour and the seaside, and together with them, we slowly lose all sense of time and place. Without investigating their past or their future, the human traffic organisations or the Belgian legislation, the film transgresses into the timelessness in which our society imprisons people without papers. This subtle analysis of human exclusion and the reduction of human beings to the physical body makes us wonder if a human can be illegal at all?