Osvaldo Bayer

A history of Argentine football, from its origins in the nineteenth century to the victory of the Argentine national team in the 1986 World Cup. The film uses valuable archival footage.

Documentary that tells the life, death and desecration of the mortal remains of three great chiefs of the pampas and Patagonia: Mariano Rosas, Cipriano Catriel and Juan Calfucurá, who after the bloody Desert Campaign, were desecrated in the name of science (whose skulls ended up swelling the collections of Argentine anthropological museums) and a fourth lonko or cacique, the irreducible Vicente Pincén, who once stopped by Colonel Villegas, could only be captured on four famous photographic plates.

Throughout his 87 years, the anarchist historian, journalist and writer Osvaldo Bayer was one of the greatest exponents of a sustained commitment to his liberation struggles, illuminating the past so that the present and future are increasingly emancipatory. But, as this documentary by Gustavo Gzain demonstrates, using the past tense is difficult to describe the peaceful battles of Bayer, who is still an active defender of human rights.

Documentary about Argentine journalist Jorge Ricardo Masetti (1929-1964), founder of the Latin American news agency Prensa Latina, and commander of Che Guevara's vanguard in Argentina.

In 1920, workers from Patagonia, in Southern Argentina, gather around an anarcho-syndicalist society and go on strike, demanding better working conditions. When the situation turns unsustainable, President Yrigoyen sends Lieutenant Colonel Zavala to impose order.

Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.

What does Che Guevara"s mythic presence represent to people at the turn of the century, and how do people define their concept of utopia?