David Menéndez

Antoine and Olga, a French couple, have been living in a small village in Galicia for a long time. They practice eco-responsible agriculture and restore abandoned houses to facilitate repopulation. Everything should be idyllic except for their opposition to a wind turbine project that creates a serious conflict with their neighbors. The tension will rise to the point of irreparability.

After moving in with her boyfriend, Mila becomes aware of her loss of desire.

Madrid's legendary Teatro Real staged this production of Giacomo Puccini's seminal opera La Bohème, starring Inva Mula, Aquiles Machado and Jesús López Cobos in the principal roles. Giancarlo del Monaco directed for the stage, Michael Scott designed the sets and costumes, and The Chorus and Orchestra of the Teatro Real provide musical accompaniment.

Lili has left everything behind to travel to the edge of the earth and accomplish her dream, fishing the Northern seas. She persuades Ian, the captain of a trawler by the name of Rebel, to give her a chance and let her join the crew. The only woman on board, they call her Sparrow. Hidden behind a frail appearance is a will of steel, and her courage and determination ultimately win over their respect. Adopted into this world of often unfortunate individuals, Lili will conquer her right to live differently, free.

In 1938 the Spanish Civil War has worn both armies and destroyed the mood of the people of both sides. The differences between national Republicans however are revealing: The fascist side has the unconditional support of arms and men facilitated by Hitler and Mussolini while the Republican army is ignored by a Europe more concerned of a possible World War than the fate of Spain. Thousands of young people between 17 and 18 rows are called by the republican army. These are the main characters, four young for whom the Battle of the Ebro will be the first direct contact with the war. This film tells the story of these young people forced to leave behind innocence and into whistling bullets.

Sabaté lives in exile in France, but since the end of the Spanish Civil War he has never stopped making forays into Spain in an attempt to overthrow fascism in the only way he knows and considers effective: direct action. This journey, structured like a road-movie with a hint of western, highlights the fears of four characters and Sabaté, their past, their regrets and questions about their cause and the violence, uncovering the ghosts of the past of all these characters in a fast-paced adventure where both sides show that they are fine adversaries.

Follows two friends, Juan and David, they will find themselves on a rooftop terrace after an intense party in Madrid. Juan witnesses David falling to the void, and his body disintegrating into ceramic pieces after hitting a car.

A group of seniors attends a workshop on sex. Olga, their teacher, try to make them see that their bodies are still alive giving them homework such as learning to look at themselves in the mirror or dedicate twenty minutes a day to some pleasant activity. The problem is that neither society nor their own relatives are always willing to accept that elderly people have their own sexuality.

This is an excellent version of one of the greatest of all comic operas, featuring superb singing and orchestral playing. And it's not just the two headliners; listen, for example, to the entrance of the stepsisters at the beginning of Act One. Nevertheless, some viewers may find the staging problematic, with singers in clown-like costumes and sets featuring human-sized rodents. Those seeking a more conventional production might want to consider the Houston Grand Opera DVD, also on Decca, with Cecilia Bartoli and Raul Jimenez. Both sets are wonderful, but, for me, Joyce Didonato and Juan Diego Florez are slightly to be preferred. Highly recommended.

Raúl's world is unraveling. Marta's unexpectedly pregnant. After a funeral meet-cute brings them together, they stumble through the chaos of life and love.

A fictionalised look into the human tragedy of riot police and police brutality in Spain.

As Helena gains the trust and love of a dangerous heroin cartel leader in Barcelona, she develops the skills she needs to eventually seize his empire.

'Drama' tells Africa's story (Elisabet Casanovas), a 20-year-old who lives in a shared apartment that is falling apart, has a precarious job and sees how her life changes radically when she discovers she got pregnant and does not know by whom.

Mai García Roselló , a young woman in her twenties, returns to her parents' house and works as a counselor at their summer camp. The story follows Mai and eight teenagers dealing with love, self-discovery, and friendship.

A pair of thirty-somethings meet through a food lover app and embark on a relationship despite past scars. Over the course of several dates, they discover where their tastes overlap and whether their passion for food, and shared distaste for foodie pretension, is enough to spark true love.

María is a thirty-year-old from Madrid who is dissatisfied with her existence and, despite her efforts to make an artistic career a reality, she has no choice but to end up working in a flower shop in her neighbourhood.

A pregnant woman navigates life as a single mom in Barcelona, facing ups and downs as she raises her toddler son in the vibrant Spanish city.

It seems like the end of the world, but it's only the beginning.

Berta Prieto and Belén Barenys write, together with Miguel Ángel Blanca (Magaluf Ghost Town) this series about the vital moment of a generation, of which five episodes will be screened. Autodefensa is about two friends who have a great time together without having to ask anyone's permission. The film is about being in your twenties, living in Barcelona and wanting to step over every possible emotional red line to discover who you really are. It's about the adventures of two cheeky lunatics who don't want anyone to tell them how to do things, creating their own world in order to be queens. Actually, Autodefensa is about two girls who are really scared and having fun in self-defence. They say they're sorry, it was all 'self-defence', they were just too scared.