Hank Botwinik

A washed up Hollywood director is trapped in a remote castle by his own fears until the arrival of a mysterious woman offers him possible salvation. Inspired by Dostoevsky's 'Notes from the Underground', Johnny Walker attempts to answer the burning question: Is living a long life vulgar, immoral or just plain bad manners?

Everything is different but nothing has changed. A trip through a sunken maze of memories and dreams.

Kappa, a woman in her 30s, finds herself in a facility that promotes social integration to individuals. Soon enough, she witnesses several attempts for interaction, which lead to a somewhat awkward reality. She therefore creates a survival mechanism and allows herself to get captivated within her fantasy world and reality. Caught into creating scenarios, she redefines communication as well as the borders of where a relationship starts and where it ends.

Intrinsic Moral Evil, at first sight, seems to be a tale of identity and growing up. But above all, the three dancers play a game with the viewer's perception and expectations. Is it a memory, a dream, a search for identity? Is it about losing of friendship or about coming of age? The layered story invites the audience to make its own interpretation and to take a stand.

Seniors Atifah, Mel and Rita live together on a ship and often have breakfast together. This time the breakfast is slightly different because they are going to celebrate the birthday of the goldfish El Tigre for the first time since the death of beloved resident Leviy. While preparing for the birthday, everyone finds out that Leviy has left a hole and they do not know how to cope with the grief of her death – a hole they cannot fill with blueberry muffins but with the help of an unknown guest.