Senri Sakurai

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

After failing to find a job, Mitsuo becomes a fisherman on a small island, and develops a crush on a young nurse there. Tora-san, dispatched to bring Mitsuo back home, himself falls in love with an attractive but troubled woman visiting her father.

Kenta, a young pianist who has just lost his job, is drowning his woes at a bar, when he meets a man in a Hawaiian shirt named Yamaki. He invites Kenta to work with him, and the next thing he knows, Kenta wakes up to find himself in a room he has never been in before. It is a strange room that seems to have no connection to life. He descends a staircase to find many shelves of books.

Director Ogata discovers a new female star in Koharu Tanaka, who works selling candy at a studio theater and she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.

A comedy directed by Kajiro Yamamoto, based on an original idea by Koji Toita, co-written by Yasuo Tanami, who worked on "Hibari Chiemi Izumi Sannin Yoba" and Kajiro Yamamoto, who worked on "The Story of a Genius Swindler: Tanuki no Hanamichi." Photographed by Seiichi Endo of "Things That Live at the End of the Earth."

After being mistaken for counterfeiters by the police, an inventor and reporter try to track down the real counterfeiters.

Japanese drama film.

In a future where World War II never ended, Japan is decimated by nightly bombings. The only building left standing is known as the Media Station, a broadcasting center responsible for all of Japan's entertainment.