Senri Sakurai

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

In a future where World War II never ended, Japan is decimated by nightly bombings. The only building left standing is known as the Media Station, a broadcasting center responsible for all of Japan's entertainment.

A hard-working section chief, fast approaching retirement and beset by stress from all directions, joins a jazz band and reignites his youthful passion for the music, giving him a chance to set things right in his life.

Director Ogata discovers a new female star in Koharu Tanaka, who works selling candy at a studio theater and she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.

Tora-san helps out a runaway bride.

Kenta, a young pianist who has just lost his job, is drowning his woes at a bar, when he meets a man in a Hawaiian shirt named Yamaki. He invites Kenta to work with him, and the next thing he knows, Kenta wakes up to find himself in a room he has never been in before. It is a strange room that seems to have no connection to life. He descends a staircase to find many shelves of books.

After being fired from his company, Hitoshi Ueda opens a arbitration company. Experts from various fields gather around him and with their natural vitality, they solve one dispute after another. But as it turns out, their next dispute will be at a global scale.

The Crazy Cats, a Japanese musical-comedy group, were showcased a series of comic adventures throughout the 1960s. Las Vegas Free-For-All, one of their most popular movies, featured scenes filmed on location in Las Vegas, Los Angeles, and Hawaii. Appearing with the seven Cats were the lovely Mie Hama and such Japanese musical artists as The Peanuts, The Johnnys, The Drifters, and Jackie Yoshikawa & the Blue Comets.

The music teacher, who danced the twist at the graduation ceremony of the solemn female school, was fired but decided to try his luck in the cosmetics business, and became the best salesman anyone had ever seen. First film in popular "Number 1" Series.

Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.

Depicting the friendship of three boys in New York, Los Angeles and Tokyo.

Musical comedy starring Watanabe Productions recording stars Nakao, Sono, and Ito as Toho's new "Sannin musume," three young women intended for 1960s audiences what Hibari Misora, Izumi Yukimura, and Chiemi Eri had been in the 50s.

A Japanese stage actor in Yokohama is terminally ill, and is determined to end his life, but doesn’t know to have inherited a large sum of money from Switzerland.

Tora-san returns to his family home to learn that his brother-in-law cannot go to Mitsuo's (Tora-san's nephew) athletic event. Tora-san volunteers to take his place, but gets into an argument with his brother-in-law's boss and returns to the road. He meets a young woman in Niigata who, unbeknownst to him, is a popular enka singer.

The members of the Ameya family are all scammers. After their election scheme goes bust in their hometown, they move from Shikoku to Tokyo and resume their fraudulent activities. Everything carries on smoothly until the eldest and the fourth sons' modus operandi go awry, the mother's lover runs off with another woman, and disasters strike one after another. This film is a collaboration between Yoichi Sai and Goro Kishitani following "All Under the Moon." The family business of the Ameya family is defrauding people. The matriarch, who keeps getting married and divorced, has five children with different fathers. The Ameya family chases after fortune and leaves a trail of trouble on their path.

Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.

During his travels, Tora-san comes across a traditional theater he used to visit, and discovers that one of his old friends has died. Tora-san and his family help the friend's daughter, who becomes romantically involved with an aspiring artist.

In a small town on the countryside, every young boy is forced to have the same bowl-head haircut known as the "Yoshino-gari" hairstyle. Then one day, a drastic change occurs when a transfer student with bleached hair comes from Tokyo.

Two rival groups of gangsters vie for control of a tiny port town in northern Japan. Daisuke, a member of the older of the two gangs, and Kosuke, a hoodlum in the newer gang, both fall in love with the daughter of an inn proprietor, even though she evinces more interest in improving the town than in their romantic advances. Eventually, the two hoodlums come to respect her efforts and decide to join forces in ridding the town of all gangsters. The two men succeed in restoring peace to the town and, rejected by the innkeeper's daughter, they leave town as friends.

Tora-san arrives in Shibamata on Mitsuo's first day of school only to find that on his account, Mitsuo was embarrassed. After a fight with his family, he goes to a bar to drink, then brings home a surly old man with a sad story, whose identity will surprise everyone. Later, Tora meets Botan, a geisha.

After an argument with his father a son leaves his home and comes back only, as an adult, many years later just to cause them problem after problem.

When hopeful Olympic triple-jump competitor injures both his Achilles tendons, he discovers an old manuscript about self-confidence to join the best company in Japan try to triple-jump his way to the top and marry the company model (Mie Hama) in the bargain. The second installment in the "Japan's No. 1" film series.

Tora-san becomes friends with Toraya's newest tenant, a pachinko-playing electrician that goes by the nickname Watt. Tora attempts to match Watt with a young waitress.

Japanese drama film.

The story revolves around a bar and a poor church in downtown Yokohama , a port town . Kazami Yobuko is a singer and hostess at the bar . The bar originally belonged to Yobuko's mother, Ranko, but Ranko committed an assault and is serving time in prison, and the bar now belongs to Tsukiyo. This is the story of the twists and turns of the love story between Yobuko and a poor pastor , Shioya Isaku. The story begins on Christmas Eve, when Isaku helps Yobuko, who is suffering from a miscarriage .