Vickery Turner

A 30-year-old man, who has been in a coma since birth, is finally restored to consciousness by a breakthrough brain operation. Although physically an adult, the man is "reborn" in the eye of an infant; the doctors caring for him must teach him to walk, talk and prepare for life in the outside world. Tension builds as he escapes from the hospital, wanders among people who do not realize his identity, and is hunted by the police.

The horrors of World War I have robbed returning veteran Chris Baldry of his memory. The traumatized soldier doesn't even recognize his own wife, Kitty, or remember their years together. While Baldry attempts to cope with the unfamiliar surroundings of his own home, he seeks out the company of an old flame from his childhood, Margaret Grey. His amnesia also makes him a ready target for the affections of his older cousin, Jenny.

Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.

A private eye is hired to follow a mobster's former mistress.

The passengers and crew of a boat on a summer cruise in the Caribbean stray into the famed Bermuda Triangle and mysterious things start happening.

Prudence Hardcastle is on the pill. So is her sister-in-law, but someone has been swapping aspirin for their pills. Is it the teenage niece, the maid, the chauffeur, a lover, Prudence's husband Gerald, or all of the above?

'To the May sun of a September life', wrote Henrik Ibsen on the photograph of himself that he gave to 19-year-old Emilie Bardach in Gossensass in September 1889. This is a documentary about the sixty-second year in the life of the great Norwegian dramatist.

Two crooks are hired to rob an eccentric old lady's estate, but once they get to know her, they can't bring themselves to do it.