Mehboob Khan

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Set in the Ottoman Empire, it deals with the Caesar's (Pande) army and its skirmishes with the local Muslim rulers. The Sultan's (Asooji) son Ziyad (Kumar) is arrested by the Roman army. The Roman princess Rahil falls in love with him. A Muslim maid Leela (Sitara Devi) and the princess help him escape. Long chase scenes and fights follow, which ultimately lead to success for Ziyad and his people.

An early Indian sound film, Zarina is a dramatic tale featuring Zubeida as a vibrant and passionate circus girl. The film explores a bold romance that reportedly pushed the boundaries of on-screen intimacy for its era, leading to early censorship debates.

In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.

Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.

An early Indian film explored themes of faith, hope, societal struggles, and the role of prayer or devotion in overcoming adversity

Nina is a rich and spoiled girl. Dilip accidentally meets her and starts liking her, not knowing that she is already engaged.

Film starring Sitara Devi and Kumar.

A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.

Roti made in the early 1940s inspired by the German Expressionism, is a real critique of Indian society with prophetic insight. It deals with two models - one of a millionaire, possessed by money and power in an industrial civilisation, the other of a tribal couple living in a primeval state of nature. The millionaire is saved by the couple after an air crash, the tribal couple emigrate to the city, do not find happiness and return. The millionaire is ruined in the city, tries futilely to find salvation among the tribal.

Mehboob presents the autonomous passion of Leela (Rose) for Moti (Motilal) who is promised to another woman, Bina (Maya). Leela is portrayed as irresponsible and impulsive as she acknowledges her desire for Moti and has a child by him. Bina then releases Moti from his promise. Moti suffers when he is told by Bina’s father (Sankantha) that she is dead, while Leela’s father (Pande) enjoins his daughter to commit suicide if Moti does not marry her. In spite of the film’s endorsement of ‘traditional’, lethally oppressive patriarchal mores, incarnated by the women’s fathers, Mehboob’s narrative at least dares to depict a woman who refuses to feel guilty about her desire.

A poor farmer conquers the love of an Indian princess, whose brother wants to kill their father to become king.

Having saved his little sister Bina (Baby Meena Kumari) from the floods, Amar (Sheikh Mukhtar) becomes increasingly possessive about her over the years. Amar falls in love twice but forgoes marriage so he can look after the growing Bina. Bina (Nalini Jaywant), now a grown up young girl falls in love with the social activist Rajendra (Harish). However, Amar can not bear to lose Bina and so he plans her marriage to the thief Moti Kanhaiyalal, with the idea that he'll get her divorced after some time and then Bina would stay with him always. After several incidents that end up uniting Rajendra and Bina, Amar gets some happiness when a daughter is born to Bina.

A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.

Childhood sweethearts from opposing social standings are separated when one's family moves elsewhere, leaving behind only a watch as a token of their friendship. Years later, as adults, they strive to meet again.

Radha is a resolute mother, who strives hard against poverty and a lecherous money lender to feed her two sons who grew up with contrasting temperament.

The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.

The film is based on an incredible true story about a village woman who gets lost at a railway station and waits fourteen years for her husband to come.

Javed is a poor student who falls in love with Nazparvar. Circumstances force her to marry his cruel cousin instead. Years later, Javed becomes a lawyer and must defend Nazparvar in court when she’s accused of murdering her husband, confronting their shared past and the quest for justice.

Najma is a 1943 Indian film directed by Mehboob Khan and starring Ashok Kumar and Veena. The film's music is by Rafiq Ghaznavi with lyrics by Anjum Pilibhiti. Najma was the first film under Mehboob Khan's Mehboob Productions banner. Due to its financial success upon release, the film became a blueprint for Muslim socials that followed.

A traumatized beautiful woman loses her memory in a train accident.

An unemployed graduate uses his charm to help a blind beggar. He then falls for a rich heiress and convinces her industrialist father to open a factory for the poor. It's a success, but a jealous fiancé tries to shut it all down and frame our hero. Can truth prevail and save the struggling community from returning to poverty?

Alibaba and his son live with his rich brother Cassim. Marjina and Zabba are two slave girls who work in Cassim's house. Marjina and Alibaba's son are in love with each other. Zabba is in league with Abu Hassan, who is the leader of a gang of thieves. Alibaba finds the thieves' cave and becomes rich. Cassim's wife insists on knowing the secret of his wealth. Alibaba tells his brother who goes to the cave but can't get out as he's forgotten the magic words. The thieves find him and kill him. Alibaba and his son find Cassim and bring his body back for burial. Abu Hassan finds out about Alibaba, and the story then follows Marjina outsmarting Abu Hassan, who comes visiting as a merchant.

The follow-up to Manmohan (1936) again starred Surendra and Bibbo. She is Neela, he plays Jagirdar Surendra. They secretly marry and have a child. When Jagirdar is presumed dead in a shipwreck, the child is considered illegitimate. The poor peasant Shripat (Pande) helps Neela by marrying her and raising her son Ramesh (Motilal). The husband eventually returns and violently quarrels with Shripat about who ‘owns’ Neela. When the villain Banwarilal kills Shripat, the husband is framed for the killing. The real problem, however, is the son’s rejection of his father, solved when together they face the gangsters in Narayanlal’s (Yakub) den.