Lau Wai-Man

The film deals with the struggles of the workers and clients of a Hong Kong massage parlor.

Government agent Jack Sargeant teams up with an international crime-fighting organization to rescue a kidnapped princess.

Wo Tin travels from Hong Kong to Thailand for business, having been invited by his brother. A young Thai woman, Lala, accompanies him and they pick up a wounded young woman before being embroiled in crocodile evil…

Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.

Two con artists scheme a small town that they're kung fu masters and exploit money from them. A girl takes over the business, but the Big boss wants the money, so he kills her father. Two con men change their ways, learn kung fu to get revenge.

The Looks of Hong Kong is a Hong Kong Drama directed by and starring Stanley Fung.

A Summit Film production starring Hoh Sau-San, Tsung Hua and Nora Miao Ke-Hsiu.