Kiki Rizky Amelia

Darma (Sonny Dewantoro) decides to marry a snake after it transforms into a woman named Sandra (Sally Marcellina). Darma's happy with this arrangement as it has made him very rich as every time he sleeps with his wife, the scales that Sandra sheds change into money. However, the requirements Darma has to meet in connection with his marriage are very difficult to fulfill...

Edo and Ipah study in the same art college. Both are attracted to each other and the relationship is pure yet Ipah’s father does not approve. One day, Edo’s father who works in the railway service dies in an accident. Both Edo and Ipah must condemn with the decision that tested their relationships.

A war breaks out between two martial arts organizations.

After her husband passes away, Dameria is forced to give up her daughter, Sari, to be adopted by her aunt, the spinster/lawyer, Purwanti. Dameria remarries to Zainal and lives a good life. Later, she yearns for Sari who is now a grown up. Sari knows about her intention. Dameria visits her at school, takes her for walks and lunches. Ten years later, when Purwanti is overseas for business, Sari leaves for Medan to meet her biological mother. When she returns, Purwanti goes straight to Medan. A confrontation ensues but Purwanti lets Sari decide. The girl eventually chooses to stay with her biological mother. But as time goes by, Sari feels uncomfortable with the new atmosphere and finally returns to her aunt’s home.

Indonesian fantasy / action.

Sonya, a demonic fighter who has many magical skills, has defeated many martial arts experts and raped many women. He even murders his own eldest child to fulfill his promise to his teacher. Then he ambushes the princess of Adipati Jepara and takes her hostage to a haunted place.

Surya, a retired ship captain and a widower with five children, has trouble with disciplining his kids. So he invites a private teacher to educate and guide his children. Several teachers try and fail. Eventually, a young teacher, Utari, is able to conquer them slowly. One day the children disturb Surya’s future wife. She suspects that Utari is behind it all, so she is fired. Utari goes home, heartbroken. The children are gloomy and the youngest one gets sick. Surya approaches the teacher to work again for them. Utari refuses. Only when the children approach her does she relent and return to Surya’s house.

The film tells the story of Fitria, the symbol of Indonesian women who are beautiful, subtle, humble, simple and very flexible in all respects. She always obeys her parents and her husband... and this is where all the problems arise as Fitria finds herself being maddened by what society expects her to be.