Directing

Andrew Norman Wilson

Born in 1983 in the United States, he is a visual artist, filmmaker, curator, and lecturer based between Europe and the US. Working across video, sculpture, photography, and performance, Wilson received an MFA from the School of the Art Institute of Chicago in 2011. He is best known for Workers Leaving the Googleplex (2011), which critically examines Google’s labour practices. His work has been ex…

Known For

Uncertainty SeminarsUncertainty Seminars · 2013
Uncertainty Seminars
2013
Movie
The Uncertainty Seminars abstract corporate aesthetics across several sections, conflating modes of address from avant-garde cinema and video art with contemporary therapeutic and motivational techniques. The techniques involved address forms of uncertainty in personal, professional, and civil life.
SilvesterchlausenSilvesterchlausen · 2025
Silvesterchlausen
7.02025
MovieDocumentary
Silvesterchlausen is a mysterious tradition that takes place every New Year’s Eve in Switzerland’s Appenzell, the most conservative part of the country. Groups of six men dress in ornate costumes and engage in wordless, polyphonic yodeling and rhythmic bell clanging. The ritual has been performed for at least 500 years, but nobody knows how or why it began.
Reality ModelsReality Models · 2016
Reality Models
2016
Movie
In 2010 the physicist Aaron O’Connell and his colleagues proved that a strip of metal, visible to the naked human eye, can both oscillate and not oscillate at the same time. Essentially this means that objects, whatever their size, can be in two places at once. From here it starts to seem like existing means being inconsistent, while dying means becoming consistent.
Screen GlareScreen Glare · 2021
Screen Glare
10.02021
Movie
A text, some images, and an unstable arrangement of durations to which one can devote a fluctuating form of attention.
ImpersonatorImpersonator · 2021
Impersonator
2021
MovieDramaThriller
An unhoused character impersonator on Los Angeles’ Hollywood Boulevard seeks connection to the world through radical, Hollywood-oriented conspiracy theories that they consume by way of a Bluetooth headset soldered into the helmet of their storm-trooper-like costume.
KodakKodak · 2018
Kodak
2018
MovieDocumentary
A semi-biographical fiction inspired by his father’s work at one of Kodak’s first processing labs, Wilson’s speculative gloss on the evolution of photochemical science entwines multiple perspectives and personas. Co-written by James N. Kienitz Wilkins, Kodak imagines a dialogue between a blind, mentally unstable former film technician and George Eastman himself, recordings of whom play out over a procession of photographs, home video footage, vintage Kodak ads, and animations.
Z = |Z/Z•Z-1 mod 2|-1: Lavender Town SyndromeZ = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome · 2020
Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome
2020
Movie
What happens inside a Poké Ball with space and time? This is one of several questions we face in a tale told in amphetamine-fuelled voice-over. The repeated act of zooming into a multi-purpose residential skyscraper breaks open modern family domestics to reveal increasingly bizarre tableaux. A papier-mâché Pikachu stares ahead, knowing all the answers.
In the Air TonightIn the Air Tonight · 2020
In the Air Tonight
3.02020
Movie
New details on the drowning that inspired In the Air Tonight have emerged from someone who was close to Phil at the time.

Filmography

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Z = |Z/Z•Z-1 mod 2|-1: The Old VictrolaZ = |Z/Z•Z-1 mod 2|-1: The Old Victrola · 2019
Z = |Z/Z•Z-1 mod 2|-1: The Old Victrola
2019
Movie
The first section employs a 75mm to 1500mm Canon telephoto lens developed for wildlife cinematography. This uncannily prolonged zoom moves from a cityscape view to details on a single balcony of Chicago's Marina City. The second section employs 8K photorealistic computer generated materials commonly used in architectural renders, video games, and the motion picture industry. The third section was procedurally generated using fractal software developed by the computer engineer Code Parade. Wilson worked with Code Parade to customize his programme towards heightened cinematic realism and render what look like infinite synthetic 3D landscapes constructed for something other than the human body.

Director