Susan Douglas

An aging horror-movie icon's fate intersects with that of a seemingly ordinary young man on a psychotic shooting spree around Los Angeles.

A love story involving a Canadian professional hockey player and a hippie folk singer. Their union is tumultuous, as both try to come to terms with their differences in careers and lifestyles. Several National Hockey League players also appear in the film.

The early 1960s: In preparation for his Bar Mitzvah, a Jewish boy, Max Glick (Noam Zylberman) from a small Manitoba community with an overbearing family tries to navigate his coming-of-age with his family's condescension and bigotry using his sarcastic, Jewish humour. The town's rabbi dies, and a sub-plot develops in which Max's father (Aaron Schwartz) and grandfather (Jan Rubes)-both synagogue leaders-are saddled with a traditional Hassidic rabbi who sticks out like a sore thumb among the otherwise assimilated Jewish community. To make matters more difficult, Max likes a Catholic girl (14 year old Fairuza Baulk in just her third film), whom he later competes with in a piano competition. The quirky, fun-loving rabbi tries to help him with his problems, yet harbours a secret ambition of his own. Filmed in Winnipeg and rural Beausejour, Manitoba, Canada.

A self-serving journalist uses influential women in late-1800s Paris and denies the one who truly loves him.

A light-skinned African-American family are "passing" in an all-white New England town. When the truth comes out, the more prejudiced neighbors demand their expulsion from the community.

Jane (Bernadette Peters) has a dizzy spell while at home. As her condition does not improve, she consults a doctor who finds that she is very ill and that she has no family to help her through this very trying time. He enlists the help of a therapist (Mary Tyler Moore) who is very hesitant to become involved in this case due to the loss she suffered as a young child. As her condition deteriorates, Jane learns how to come to terms with her past as does her therapist.

Joe wants a different future than one as a petty hoodlum and when he attempts to rob an aspiring dancer Noli, he glimpses the possibilities. He imagines purchasing a briefcase as a start but his crime partner is reluctant to let him go.

The owner of an after-hours bar dreams of opening a legitimate establishment.