Dana Balounová

A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!

It is a story of three veterans released from the army. During one night spent camping in the country they one by one wake up and meet three elvish brothers. Each of the veterans is given a magic item - one gets magic harp that provides him with servants by wish, other one endless pouch of gold and the last one owns magic hat that can create all the staff excluding money and people.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

Inseparable friends Štěpán and Kendy are students in their final year of high school. When they are in the principal's office after the trouble with the rather scandalous song "On the Carpet", the school principal gives them the idea of ​​rehearsing a theater performance. They decide on Tyl's Forest Maiden in a rather unconventional version - with music, singing, and several unusual props. While Kendy sees the theater as not only an opportunity to enjoy himself, for Štěpán it is a chance to get closer to the charming Marcela Borůvková. What was originally just a student recession soon starts to get out of hand for both authors, not only because of the quirky cast but also because of information in the press, which is taken care of by the father of one of the classmates. The business is gaining in size, and even a television station is contacted, which shows an interest in making a program about the performance. At that moment, the disaster seems inevitable to Štěpán and Kendy.

Funny banter about love, sex, social status, and other ideals, while a new railway employee is trained and sent on his first run as driver.

Engineer Pavel Hnyk is successful at work, but not very happy in his private life. He is approaching his fiftieth birthday and he can't shake the feeling that life is slipping away from him. The most effective medicine for such woes is amorous adventures, and Pavel indulges in them. His wife Alice is a lawyer by profession, so she knows about such cases, and because she is a wise woman, she passes them over in silence. One day, however, a new colleague appears at Pavel's workplace - the charming Slovakian Julie. A friendly relationship soon turns into a love affair, and over time it grows into a headless, destructive passion that cares for nothing and no one...

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

A communist journalist from Prague is sent to Ravensbruck concentration camp.