Jacques Bleu

For Pierre Brochant and his friends, Wednesday is “Idiots' Day”. The idea is simple: each person has to bring along an idiot. The one who brings the most spectacular idiot wins the prize. Tonight, Brochant is ecstatic. He has found a gem. The ultimate idiot, “A world champion idiot!”. What Brochant doesn’t know is that Pignon is a real jinx, a past master in the art of bringing on catastrophes...

French post-apocalyptic thriller film.

Five bourgeoisie women. Five men - husbands or companions - who, in different fields, possess a certain power. Characters who live in embassy lounges, frequent palaces and large houses, travel in expensive cars and yachts, eager for pleasure, guided by ambition.

Olivier Larry, a young cartoonist, is looking for a woman to symbolize all the avowed or secret desires of today's public. He visits the abstract painter Salvador Dalloz and inspects his models in vain. Then he goes to a photo studio of a special kind. At night, he goes through the striptease boxes, always looking for the one he can draw.

A father and his teenage son cruise through the night in a rundown car. Are they on a trip? Are they on their way to relatives or friends? Or are they fleeing from something or someone?

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.