Dan Nakagawa

Young directors are filming “The Exhibitionist” in the middle of a farm in a paradise-like region. The film poetically investigates the Brazilian soul, with the Amazon as the center of the world, reflecting on existential issues, the right to sexual freedom and individuality.

This surreal design-inspired film blends live action and animation to illustrate the emotions of new love and heartbreak

Max and his friends, Pedro and Bruna, discover a time machine and decide to test it. What begins as an adventure quickly turns into a nightmare when Pedro inexplicably tries to kill Max, who must repeatedly travel back a few seconds in time to survive and uncover the truth. Caught in an unstable timeline, the three friends confront dark truths about themselves, the weight of their choices, and the unpredictable consequences of trying to rewrite destiny.

Three desperate stories about working life in São Paulo.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

Marcos hosts Robert in his house – and falls in love with him. When Michael Jackson dies, Marcos goes sick and Lígia, his sister, comes to help them.

A study that unwraps a paradisiac scenery, reaching the subjects of Brazility and its force in the change of habits, breaking taboos and bringing out a magical and original reality throught its characters.