John McColgan

A young Irish boy named Keegan and Spanish girl named Moya journey into a magical world of the Megaloceros Giganteus who teach them to appreciate Riverdance as a celebration of life. Based on the stage show phenomenon of the same name and featuring Bill Whelan’s multi-platinum Grammy Award-winning music.

A powerful and stirring reinvention of the show, celebrated the world over for its Grammy Award-winning music and the thrilling energy and passion of its Irish and international dance.

Happenings in a small Irish traveling circus.

Introduced by Jean Butler, The Best of Riverdance, brings together the stunning highlights and classic performances from the show filmed at various international venues over the previous 10 years. This special compilation, The Best of Riverdance, features performances from the various Riverdance Troupes who have taken the show to the four corners of the world. Highlights include: Reel Around the Sun performed by Michael Flatley and the Riverdance Troupe at the Poin Theatre in Dublin, Countess Cathleen performed by Joanne Doyle and the Riverdance Troup in Geneva, Thunderstorm performed by Pat Roddy and the Riverdance Troup in Radio City Music Hall, New York, Heartland, performed by Jean Butler and Michael Flatley at the Point Theatre and a very special compilation performance of Riverdance featuring the talents of the shows lead dancers over the past ten years.

The Irish dance phenomenon makes its way to Beijing, China with a one-of-a-kind performance tailored for the Chinese audience with an artistic flow.

Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers. About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland

Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers.

Irish Folk Band, The Dubliners, guide us through the history of Dublin.

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale

Riverdance Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough.

After 50 years of Israel’s occupation of the West Bank and a decade of the blockade on Gaza, John McColgan journeyed through the occupied Palestinian territories to witness the struggles endured by Palestinians and the inspiring partnerships which aim to improve people's lives.

The thrilling Riverdance show live from Geneva.

Quirke is the chief pathologist in the Dublin city morgue – a charismatic loner whose job takes him into fascinating places as he investigates sudden deaths in 1950s Dublin. His pleasures in life are raw and deep, a drink, a smoke, good food, a woman: With one woman in particular – his adoptive brother's wife Sarah and the forbidden love that has shaped and dominated Quirke's life.