Peter McCoubrey

Welcome to Monsterland! A terrifying place where savage beasts, carnivorous creatures, and grotesque abominations are the new normal; and the human race is now at the bottom of the food chain.

Just decades ago, flophouses in New York housed nearly 25,000 men living on the margins of society. Today few remain. Filmmaker Michael Dominic takes his camera behind the doors of the Sunshine Hotel, one of the few remaining affordable refuges for the destitute and out of luck, a world that has seemingly stood still for more than eight decades. Here the hotel residents live in tiny four-by-six-foot cubicles crowned by a ceiling of chicken wire. Focusing on several of the Sunshine’s denizens – including a transgender woman saving all her money for additional surgeries and a hotel manager who doubles as its resident philosopher – Dominic presents a non-judgmental snapshot of a diverse group of characters as memorable as the characters at Harry Hope’s bar in Eugene O’Neill’s “The Iceman Cometh.”

When a strange mushroom sprouts up in her balcony planter, Chloé is compelled to eat it, resulting in consciousness altering hi-jinx.

After a mysteriously gruesome incident, Simon stumbles through an absurd and macabre version of courtship.

In a near future, a woman navigates a virtual customer service call via her own avatar and digital assistant. The film was written and directed by a human, however, LEXI's dialogue was generated by RivetAI, an artificial intelligence program.

A mysterious encounter between a man who claims to be from the future and the man that he claims is his former self.