Artur Semedo

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

A small group of well-to-do vacationers go on a hiking trip into the woods just to find themselves mysteriously lost.

The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.

Once the boss started deducting a third of the workers' wages on the pretext that it was necessary to purchase new machines in order to compete, a group of workers went on strike, occupied the company, but were expelled from their workplace by the police. Out on the street, the workers think about the best way to make their comrades and the general population aware of the seriousness of their situation. They then decide, by mutual agreement, following the humorous tradition of cegadas and popular theater, to improvise a satirical performance in which they denounce some typical examples of capitalist exploitation. From the bandstand, which serves as their rehearsal stage, to the final procession, which unexpectedly takes on a different tone, the workers learn and teach us how scathing and uncompromising criticism of capitalist institutions can be transformed into a celebration of struggle, joy, and unity.

In an imaginary future, Portugal consists of an association of states - North and South - with zones of specific influence. City under vigilance, Lisbon is inhabited by a repressed and militarized population. Maria and António stand out in this city and surrender themselves to a submersive love. 1978

From the military planning to front-line operations of discover conquest of Mozambique by the Portuguese, to counter the Vatuas insurgency of 1894, when they were led by Gungunhana, a cunning strong African leader. Against the background of Marracuene, Coolela, Manjacaze, Chaimite and Macontene historical battles, two soldiers fight for the love of a coloni st's daughter.

15th century. D. Afonso, an old jealous nobleman, demands that all stay away when his wife, D. Leonor, goes to church to pray to Our Lady of Mercês. Another nobleman, D. Rui, sees her and fells under the spell or he beauty. D. Afonso orders his wife to retreat to Quinta do Cabril, and decides, one night, to stab his rival to death. It is then that a hanged man decides to intervene. - MOTELx

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

This Portuguese movie directed by João Botelho, is part of The Four Elements series. This is the second episode, The Air.

Manuel and Pedro have different approaches to love. Manuel suffers a disgust that makes him sullen, and enters the priesthood. Pedro keeps on in his carefree ways, and commits a robbery. Manuel knows the robber is Pedro, but he learned it in Catholic confession. To keep his vows as a priest, he is prepared to be arrested.

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

Tony, a trapeze artist, gets a job at a small circus. When a tempest takes away the tent, Tony stays for the love of the beautiful Belmira who could be a rider… if they hadn’t sold the horse. They play at open-air, sleep under the stars, scrimp and save every penny, and soon there’s a new tent to be bought on credit. But Belmira is not happy, she dreams of a real home, while Tony is fascinated by the circus. And the gloomy days are back.

The disastrous attempts of D. Lucas Telmo Midões to achieve in 1981 the independence of the Berlengas islands - lost eight centuries ago, during the conquests of D. Afonso Henriques.

Trafaria changes his business to Angola, in search of a more profitable occupation, by shaming the pioneers. There he engages in the obscure social and political environment, from which emerge some characteristic figures - administrators, their wives and secretaries, Arabs, police officers, priests and mercenaries...

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnation Revolution", as that period would be later known.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Current adaptation. Farce about the tribulations of two families, their respective maids, and also a manicurist, a prosecutor, and a police officer, revolving around the unbridled pursuit of romantic adventures. At issue are the scandals of a crazy woman, which lead the neighbors to complain to the police and force the landlord's representative to take eviction action against her for having a parrot that shouts "Hey, guard!" and a monkey (Geribau) that torments everyone with its mischief...

The shady side of an Italian textile trade in northern Germany is the subject of this slow-paced but atmospheric drama featuring Alberto Sordi as Totonno, a low-level, petty criminal anxious to move up a somewhat crooked ladder. Rising to the rank of the "dons" -- Don Raffaele (Carmine Ippolito) or Don Gennaro (Pasquale Cenammo) -- is not an easy task, as Totonno is about to find out. In the meantime, Paula (Belinda Lee) provides a romantic distraction, and another would-be entrepreneur opts for the straight and narrow. This uneven feature offers some colorful performances but the sum is less convincing than its parts.

Pontius Branco was a climber of the economy, climbed by money like Mount Everest. aggressive businessman. His wife Bernarda felt betrayed. He replaced her for the orgies between the purchase intervals, sells and deceives. Here comes the train from 15:30 to Lisbon a coming emigrant from France with a five year old daughter in her arms and attacks Pontius in his stronghold, demanding recognition of the daughter of sin, Libertina that he had made her "bidonville» on the city of light. Bernarda hires a private detective to obtain evidence of Pontius's adultery with a curvaceous blonde, whose dream was to own butchers, fishmongers and vegetable places in a shopping center. Pontius who all deceived and this triangle (not Bermuda), weaves the web and bore's the head of the entrepreneur. A perfect luxury crime puts the police overtime. Time passes and only after the Seventh Day Mass is brought to light when the sky was given the eclipse of the moon ...

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.