June Lockhart

Acting

June Lockhart

Born June 25, 1925 · New York City, New York, USA

Died October 23, 2025 · aged 100

June Lockhart (June 25, 1925 – October 23, 2025) was an American actress, beginning a film career in the 1930s and 1940s in films such as A Christmas Carol and Meet Me in St. Louis. She appeared primarily in 1950s and 1960s television and with performances on stage and in film. On two television series, Lassie and Lost in Space, she played mother roles. Lockhart also portrayed Dr. Janet Craig on t…

Known For

Lost in SpaceLost in Space · 1998
Lost in Space
5.41998
MovieScience FictionAdventure
The prospects for continuing life on Earth in the year 2058 are grim. So the Robinsons are launched into space to colonize Alpha Prime, the only other inhabitable planet in the galaxy. But when a stowaway sabotages the mission, the Robinsons find themselves hurtling through uncharted space.
Sergeant YorkSergeant York · 1941
Sergeant York
7.21941
MovieWarDrama
Alvin York a hillbilly sharpshooter transforms himself from ruffian to religious pacifist. He is then called to serve his country and despite deep religious and moral objections to fighting becomes one of the most celebrated American heroes of WWI.
TrollTroll · 1986
Troll
5.11986
MovieFantasyHorror
When a family moves into a San Francisco apartment, an opportunistic troll decides to make his move and take possession of little Wendy, thereby paving the way for new troll recruits, the first in his army that will take eventual control of the planet. We soon discover Torok is the ex-husband of Eunice St. Clair, a resident in the building who was married to Torok.
Meet Me in St. LouisMeet Me in St. Louis · 1944
Meet Me in St. Louis
7.01944
MovieComedyDrama
A year in the life of a turn-of-the-century middle class family, leading up to the opening of the 1904 St. Louis World's Fair.
Holiday in HandcuffsHoliday in Handcuffs · 2007
Holiday in Handcuffs
6.32007
MovieComedyRomance
A ne’er-do-well thirty-something attempts to appease her family by kidnapping herself an attractive boyfriend for the family Christmas. Despite unlikely odds and dysfunctional family moments, the two fall in love and share a magical Christmas.
The Big PictureThe Big Picture · 1989
The Big Picture
5.91989
MovieComedyRomance
Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.
ButterflyButterfly · 1982
Butterfly
4.91982
MovieCrimeDrama
Jess Tyler lives a quiet life next to an abandoned mining factory by himself in the desert. His life is turned upside down when a sexually provocative young woman comes to visit him and tells him she's his daughter. Jess finds it hard to adapt to his newfound parenting role, as a mutual attraction grows between them.
She-Wolf of LondonShe-Wolf of London · 1946
She-Wolf of London
5.61946
MovieMysteryHorror
A young heiress finds evidence suggesting that at night she acts under the influence of a family curse and has begun committing ghastly murders in a nearby park.

Filmography

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The RemakeThe Remake · 2016
The Remake
3.72016
MovieComedyFamily
Sheridan O'Connor and Riccardo Rossi were destined to meet on the set of their first big movie together when barely out of their teens. What they didn't know was that their on-screen chemistry would translate into a hot and heavy off-screen romance destined only for disaster. Now, living continents apart and a lifetime later, expecting their paths never to cross again, they are thrown back together to star in an updated version of their original film. The studio has high hopes that they will be able to attract the same audience who loved them the first time around. But working together again could demand greater acting skills than either ever imagined: long hours filming awkward romantic scenes, reliving the past and coming face to face with what fate has in store for them. Only slightly shaken and gently stirred by family and friends, Sheridan and Riccardo must find a way to make the perfect martini out of life so as not to waste a single drop of happiness.

Irene O'Connor

Have Gun, Will TravelHave Gun, Will Travel · 1957
Have Gun, Will Travel
7.31957
SeriesWesternAction & Adventure
Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958. The television show is presently shown on the Encore-Western channel. Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.

Dr. Phyllis Thackeray

Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.