Harry Brogan

In 1941, the IRA plans a campaign to coincide with the planned German invasion of England. Dermott O'Neil finds it easy to get into the IRA, but can he get out?

In 1921 Dublin, the IRA battles the "Black & Tans," special British forces given to harsh measures. Irish-American medical student Kerry O'Shea hopes to stay aloof, but saving a wounded friend gets him outlawed, and inexorably drawn into the rebel organization by his former professor Sean Lenihan, who has "shaken hands with the devil" and begun to think of fighting as an end in itself. Complications arise when Kerry falls for a beautiful English hostage, and the British offer a peace treaty that is not enough to satisfy Lenihan.

Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility that fiendish Fu Manchu may not after all be dead, even though Smith witnessed his execution. A killer spray made from Tibetan berries seems to be involved and clues keep leading back to the Thames.

A naive young country girl moves to Dublin and finds herself drawn to a sophisticated author twice her age.

In Dublin circa 1911, John Cassidy (Rod Taylor), an impoverished idealist, whose ambitions are restricted by the demands of looking after his family, journeys through the social injustices of Dublin life, involving himself with the rowdy tramway-men strike, dawdling with prostitute Daisy Battles (Julie Christie), and seeking a better life. He falls in love with bookshop assistant Nora (Dame Maggie Smith) who encourages him toward a life of writing. Finding success at the Abbey Theatre, his unorthodox views estrange him from family, friends, and his own past.

Phineas T. Barnum and friends finance the first flight to the moon but find the task a little above them. They attempt to blast their rocket into orbit from a massive gun barrel built into the side of a Welsh mountain, but money troubles, spies and saboteurs ensure that the plan is doomed before it starts...

Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.

The relationship between brothers Terry and Matt, both active in the IRA, comes under strain when Terry begins to question the use of violence.