Sebastião de Souza

Paranoia, guilt, misery, and technology in the developing country. A fragmented narrative, distorted frames, shouts, and noises. The Nazis take over São Paulo: prison and torture of revolutionaries, a samurai lost in chaos, locked lovers, a dictator and his bunch. Considered one of the most influential films of the marginal period.

Comedy anthology in three segments, each one involving beautiful and uninhibited women.

Some brazilian chicks are kidnapped by girl dealers and carried away on a small airplane to take them to the amazon jungle. What follows is catch as catch can between two groups of gangs... but the girls have fun anyway...

A woman asks her boyfriend for his mother's heart as a proof of love. Another, a kleptomaniac, has an affair with a TV professional. And a young man becomes a sex symbol after an advertising campaign.

After their relative and associate runs way, the Naves brothers inform the police of the incident, who end up arresting them under the accusation of murdering the missing person. The brothers are tortured in order to confess a crime they did not commit while their wives are raped.

Symbolic film from the Underground Movement of Brazilian Cinema (Cinema Marginal) about a woman, three men and some apes. In the director's own words: “a fable where realism and logic have no place, and in which sex is a translation of all the tortures, circumstances and violent actions.”

The film’s opening shot presents us with a naked ass, adorned only with a bit of confetti and two 3x4 photographs placed side by side. Other images soon appear in rapid succession, with the image of a contracting anus standing out among them. It is a radical, experimental film that uses scatology to question cinematic identification.