V
Acting
Vlastimil Fišar
Born November 13, 1926
Died June 11, 1991 · aged 64
No biography available.
Known For
Hubert the Smart Boy · 1985Hubert the Smart Boy
★ 5.61985
MovieComedy
Hubert Hrabe, known as Smart Boy, is a Prague dandy who is always skirting the edge of the law. Like every likable rogue, he has a worthy adversary - Police Inspector Mourek, who has long been trying in vain to put him behind bars. However, this defender of justice, who is constantly trying to outsmart his "own" criminal, ends up becoming the victim of his own zeal while hunting forgers that are as good as any in Europe, as Hubert the Smart Boy, sets a trap for Mourek
Tank Brigade · 1955Tank Brigade
★ 6.21955
MovieWar
The fate of a tank crew on the most difficult part of the First Czechoslovak Independent Brigade's combat path during World War II. We also follow the fate of its commander, Sergeant Juraj Klimka. During the bloody battles for the Dukel Pass, he falls in love and it turns out that behind the mask of a sovereign, he is actually a shy and sensitive person.
I'll Be Good, Old Man! · 1979I'll Be Good, Old Man!
★ 5.81979
MovieComedy
To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.
Nejlepší kšeft mýho života · 1989Nejlepší kšeft mýho života
1989
MovieDrama
We Are Basically Normal · 1982We Are Basically Normal
★ 4.81982
MovieComedy
The film follows Karel Novák, who is appointed as the head of a research institute's new department. His ambitious wife, Eva, sees this as an opportunity for social advancement. She quits her job, turns their apartment into a hair salon, and begins networking with influential people. However, her efforts entangle Karel in a web of shady business dealings, including a dubious connection with a foreign company, Djungarden. As misunderstandings and comedic mishaps unfold, Karel finds himself in trouble with the police, while Eva struggles to maintain control over their chaotic rise in society.
Fear · 1964Fear
★ 5.31964
MovieCrime
A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).
Dita Saxová · 1968Dita Saxová
★ 5.91968
MovieDrama
In 1947 Prague, Holocaust survivor Dita lives in a hostel for orphans, acting as a protective mentor to a younger girl while failing to fix her own shattered life. Unable to form lasting bonds or find a place in a society that has moved on, she drifts through emotional isolation.
Putování Jana Amose · 1983Putování Jana Amose
★ 5.51983
MovieHistory
The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.
Filmography
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