Eduardo Estrela

A divorced lawyer falls for a charismatic cardiologist. But when their difference in size leads to family friction, is she ready to listen to her heart?

From a repressive childhood to artistic revolution, Ney Matogrosso transforms Brazil's stages — and himself — through music, creativity and inner fire.

A group of friends finds their fun at vacation camp ruined when a big corporate developer threatens to build a pollution-spewing factory on the land.

Juca Valente owns a kiosk on the coast of São Paulo and just wants to have fun. An eternal flirt, he hates big responsibilities and doesn't think about having anything serious with anyone. But his life takes an entirely different turn when an American ex-girlfriend dumps a baby on him and disappears. Juca then leaves for the United States with the intention of returning the child, not imagining that he would start liking the idea of being a father.

A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.

São Paulo, 2007. Santana works as a dogcatcher, picking up stray animals. He is a friendly guy, averse to trouble, who has always kept violence away from the doorsteps of his home. One day, he catches a very big dog in a school. Some days later, comes the animal's owner: Babyface, a sociopath ex-cop. The man is furious, considering his dog to be "kidnapped", and demands immediate restitution of his pet. But the dog is not coming back: according to the law, the animal was put to sleep. In a misunderstanding, Babyface argue with Santana, blaming him for his pet's death. From this moment on, Santana's life will be completely changed.

A film that uses the very premise of acting, of the game between real and real fiction, to imagine a world in which art becomes impossible and the artist useless.