Matěj Dadák

Marek lives alternately with two women. He tells them both that he works in another city for part of the week. In reality, he stays in the same and moves from apartment to apartment. This works perfectly until one morning he wakes up in the wrong flat.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

Salzburg, Germany, 2000. The elderly Czech actress Lída Baarová tells a journalist the tumultuous story of her rise to fame in 1930s Berlin and her passionate relationship with the sinister Joseph Goebbels, Minister of Propaganda of the Third Reich.

Former classmates gradually gather at the party. This reunion would probably be marked by light banter and nostalgic memories, but instead of another classmate, a door-to-door salesman rings the doorbell and brings unexpected news about a friend who will never arrive. The partygoers set off together by bus to visit him. During the journey, it becomes clear that talking about real feelings is much more complicated than it seems.

After missing a train, Danny, a perpetual student, and his Spanish boyfriend must wait in an empty train station with two homophobic Czechs, who do not realise that Danny understands their every word.

Three lifelong friends - Irena, who dreams of owning her own home; Marta, a pharmacist yearning to host a radio show; and Alex, who seeks a genuine relationship but becomes entangled with her charismatic, much-older boss - support one another through bold schemes to outwit romantic obstacles.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.