Miloslav Mejzlík

Time has come for young and handsome King Benjamin to find a wife. When presented the portrait of beautiful princess Carolina, he is so enchanted that in return he sends his portrait to her, but spoiled and proud princess Carolina selfishly rejects him. King Benjamin decides to win her over and, disguised as a gardener, manages to work at her castle,” reads a synopsis provided by All Rights. He finds out that the princess was once happy and kind, and with the help of music and flowers, she falls for him. When her counselors, eager to remain in power, found her a weak prince to marry, Carolina and Benjamin hastily flee together. The many obstacles they face in their escape will bring them closer. However, Benjamin will still have to reveal the truth, but love and happiness will prevail.

The film follows the fate of the real inhabitants of the former German village of Vitín. The central character of the film is Otto Hille, who comes from a Czech-German family. He prepares an expedition for the old and seriously ill Leopold Švarc, which is supposed to be a cathartic journey into the past shrouded in mystery. Schwartz is accompanied by the faithfully serving autistic Michel, the cook Jan and Dr. Ignaci. Otto also enlists the begging bankrupt painter Henry to join the group. The expedition takes Otto to the land of his ancestors - the long-decayed German village of Vitín. He witnesses the events of 1945, where he meets his grandfather Otfried Hille. The trauma of the past becomes the key to understanding the present.

It seems that a serial killer has begun to wreak havoc in the city. Anyone could be behind the mask—who will be next?

ComiBaran, a protestant blacksmith arrives in the little village of Lakotice to kill Sekal, a cruel Nazi collaborator.

What led a former top scientist to rob a bank and hold a dozen hostages? Czech Television's crime thriller based on Martin Goffa's novel "The Little Girl" is squeezed into two environments - the interior of a robbed bank with hostages and the interior of a crisis management car, from where the police communicate with the mysterious attacker and try, like him, to play for time and find out more about him. The flashbacks also tell the story of the attacker's daughter Karin from the recent past, gradually revealing a connection with what is happening in the current storyline.

Told from the perspective of man reflecting on his childhood in Prague in the early years of World War II and the eventual destruction of his family as the Nazis rise to power. The storyline focuses heavily on Jewish-Czech Silberstein family members. Drama was filmed on the real events as a tribute to Mr. Nicholas Winton, the British humanitarian who organized the rescue of 669 children, most of them Jewish, from Czechoslovakia on the eve of the Second World War in an operation later known as the Czech Kindertransport from German-occupied Czechoslovakia and likely death in the Holocaust.

Martin is an innocent lad from small-town Mlada Boleslav who comes to big-city Prague, hoping to exchange his krona for deutschemarks so that he can visit Germany. A local spiv named Robert obliges Martin, but at an unfair exchange rate. When Martin finds out he was rooked, he plans revenge on Robert ... but then decides to join Robert's gang instead.

A serial killer is on the loose in the small town of Petrovice, murdering students at the local high school. The police are searching for the perpetrator, but they can't find any clues. Everything points to the masked killer targeting Karin Tomečková, whose parents were brutally murdered eight months ago. The murders are increasing, as are the number of suspects. The police are trying to catch the killer before it's too late. The killer could be anywhere.

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

The story takes place in the Czech-German border region in 1938. The hero Tomás Jakl marries but the marriage is not very lucky and falls apart. His German friend forced him to enter the Nazi party.

To have the opportunity to play in a movie, many a girl dreams. To look behind the scenes of filmmaking, to become well-known, popular, maybe even famous... that's one side of the coin. The other side demands discipline, self-denial, perseverance, which is not so attractive to people anymore. This is what Viki, an eighth-grader, has to go through on her way to film fame.

93, rue Lauriston, in the 16th arrondissement de Paris, is an address of bleak memory. It was indeed the headquarter of the French Gestapo, which was active between 1941 and 1944 and was headed by Henri Lafont and Pierre Loutrel, two wanted criminals. On the day of 1940 he was demobilized, little did well-meaning Léon Jabinet know that he would be associated with such disreputable characters. And yet, some time later, Odile Panzer, the Jewish girl he has been hiding at his parents'place, is arrested by the Gestapo. On this occasion Léon is offered a deal for her release: collaborating with the Carlingue (another name for the French auxiliaries of the Nazi police) and Odile will be free. Or else... What should he do?

The Little Man lives happily in his little house in the Hollow Mountain. His peaceful life ends once he begins to have dreams about a mysterious house where he is to find what he desires. Even though he does not feel like having any desires, he crack the mystery himself.

One kingdom, three princesses and their dangerous journey to save their homeland.

A 16-year-old young man, a budding rock enthusiast, spots a beautiful guitar but soon finds he doesn't have enough money. In vain, he asks his parents to help him. Eventually he tries to raise the necessary funds on his own. This is a not very believable normalisation morality tale, which was supposed to guide teenagers towards desirable patterns of behaviour.

A fictional story of Wolfgang Amadeus Mozart's stay in Prague. The film, in no case, claims any historical facts. It only tries to evoke the spirit of that time by connecting Mozart's music with the architecture of Prague and by pointing up the changes in Prague during Mozart's two-hundred absence in the Czech metropolis.

In a South Bohemian village in the middle of silver ponds and dark forests lives Jindřich (Radek Valenta), who one day goes out into the world with a firm decision to free the cursed princess. On the way, he reaches a haunted mill, where the beautiful Eliška (Andrea Černá) lives with her father. Eliška likes the young man, so she tells him that the cursed princess is in the pond and Jindřich remains in the mill as a helper. However, the devil and the waterman, who like Eliška, don't like that. With the help of various intrigues and incantations, they try to expel Jindřich from the mill, but soon a third groom appears there - an old rich man. However, since Eliška rejects all the suitors, the miller's father gets angry and gives her an ultimatum: either she chooses a suitor herself by the full moon, or the one who asks for her hand first gets her. So a fight ensues between the grooms...

It's Friday morning. Employees of a bank in a district town are heading off for three days in the mountains for some modern team building. The aim is to strengthen the team, hone their work skills, and, above all, earn bonus points in the personal evaluation of the director, who has decided to kick-start his career by advancing to the branch management in the regional capital. To get promoted, he needs positive evaluations in all areas, including management activities, which he has completely neglected until now. Most employees have no idea what to expect. They imagine a company-paid school trip, but...

Twenty-year-old Karel is expelled from Bata's school of work and has no choice but to make his way in his uncle Kubát's publishing business at any cost. A very drastic adaptation of the draft has fundamentally changed the whole story, which is also set in a completely different historical context. The result was a schematic and tepidly propagandistic poster.

Milan has already achieved a respectable career, holding an important position as a sales representative in Morocco and living the life of an exclusive diplomat. Dana enjoys herself with her lover and, in her "spare time," naturally torments Milan. A marital quarrel at the most inopportune moment during an important business visit causes their premature departure, and Milan, who caused Dana numerous injuries in the heat of the moment, is hospitalized in a psychiatric ward. Dana naturally takes advantage of his mental shock and, with the help of her maid Bohunka and a weak-willed head physician, regains absolute control over Milan. However, a young psychologist named Táňa is also doing her internship at the sanatorium, and she immediately takes a liking to the intelligent patient…

ANNA ALEXANDROVNA BARKOVA (1901-1976) Journalist and poet, meeting suspicious characters. Involved in immoral love affairs. Work in the Kremlin, fired. 1934 - Arrested, 5 years of penal servitude in Karaganda. Lived in Ukraine during the WWII. 1946 - Arrested, 5 years of penal servitude in the Komi Republic. 1956 - Rehabilitated, disability pension. 1957 - Arrested, 10 years of penal servitude. The film 8 Heads of Madness is about the eternal struggle between the artist and external circumstances, the artist and her demons and longings. 8 Heads of Madness is a drama woven from fragments of an appalling era. An unhappy cross-section of the 20th century in an unhappy country, as seen through the sensitive, perceptive vision of a poet.

The relationship between a teenage daughter and her mother is not an easy time in the life of either of them. But for Jana Burešová and her Simona, it means digging deep into their consciences and searching for sensitive places where the past can be revealed and a path to the future can be found. It is at her forty-fifth birthday party that a devastated Jana learns from the police that her daughter has secretly given birth. The next day, she visits her daughter in the maternity ward, but she refuses to talk to her because she cannot forgive her mother's lack of interest, the fault of which is that she did not even know her daughter was pregnant.

Adventures of a little Czech girl Yana visiting in Moscow with her parents and dog.

Divorce doesn't have to spell disaster. Even with alternating care, it can be fun. Especially when such quirky characters as ours are involved. Sure, even in One Family, things get rough sometimes, but love always wins in the end. Because more parents mean more love.

Kriminálka Anděl is a Czech crime drama television series which premiered on TV Nova in 2008. Third season was shooting since April 2010 and broadcast since March 21, 2011. This TV series has an origin in the Slovak crime series Mesto tieňov.

Czech Century brings the key moments of the history of the Czech nation from 1918 to 1989.

Croatia. A holiday destination for hundreds of thousands of Czech and Slovak tourists, who come here for the sea, mountains, monuments, entertainment, and relaxation. Because even in a holiday paradise, sometimes things go wrong. And sometimes there's murder... The story of the series takes place on the island of Hvar, where a central pair of Czech-Slovak detectives helps to solve crimes involving Czech and Slovak tourists. Michal and Ivana are like fire and water. While he is a funny, sarcastic detective from the "old school," she is a free-spirited, temperamental woman. Together, they must restore the disrupted harmony of the sunny island. The mixed local police force gets to investigate even the most serious crimes. The rule is clear. A Czech body, a Czech chief investigator. And vice versa.

Barrandov Studios, once one of Europe’s most modern film factories, became both a cultural refuge and a propaganda tool under Nazi occupation, churning out Czech comedies and romances to keep the public distracted while its actors mingled with German authorities. After the war, many of those same stars faced accusations of collaboration, their meteoric Protectorate-era fame tainted by the compromises they made to keep the cameras rolling under shifting regimes.