Julie Sicard

Comédie-Française

At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?

It's Only the End of the World

Louis, 34, visits his family for the first time in years. He finds his brother Antoine, his sister Suzanne, his mother and his sister-in-law Catherine. Louis did not come back by chance. He wants to tell his family terrible news: his imminent and inexorable death. But as soon as he arrived, his presence brought back memories and old family quarrels. Buried bitterness and annealed tensions resurface one after the other and transform the little suburban pavilion into a stifling family prison. So much so that the unfortunate Louis never finds the right time to share his heavy secret ...

The Screen Illusion

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

Premiers résistants, seuls contre tous

May 1945. Victory. Triumph over Nazi Germany. And already, history is being rewritten. The story of a France liberated by its people, resistant at heart, united against oppression. In our memories, we see the faces of heroes: Gaullists and Communists. We forget the origins of the struggle. That of the very first men and women, left-wing, right-wing, communists, far-right, apolitical... who, individually and from June 17, 1940, said "no." A visceral and spontaneous "no" in a France that said "yes," rallying behind Pétain. A "no" from the heart and courage, fueled by the will to act in the name of freedom. They started from nothing, had to invent everything, risk their lives and those of their loved ones. They are the heroes, those who, in isolation, stood up at once and chose to disobey, whatever the cost, even to the point of self-sacrifice. Alone against all...

Dom Juan & Sganarelle

Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.

Grand amour

In collaboration with AIDES, an association fighting against HIV, this feature film brings together over 30 artists to explore the freedom to love beyond stereotypes. Desire, passion, break-ups, Grand Amour or the modern version of the freedom to love. All stories are told across genders and sexualities.

Le Système Ribadier

Électre / Oreste