Petros Fyssoun

Famous writer Alexander contracts a terminal illness. He receives a letter from his wife describing a summer day 30 years ago, and leaves his seaside home to remember his past. This journey will allow him to wander between the past and the present, and encounter unexpected people, allowing him to collect unforgettable memories in the final moments of his life.

Following the torpedoing of the destroyer Elli on August 15, 1940 on Tinos by an Italian submarine, war was declared, and the Italians attacked the Albanian front on October 28. From an outpost on the Greek-Albanian border, a military truck unexpectedly comes under fire by Italian tanks. Petros, the only one who manages to escape death or captivity, saves a village girl, Maria. However, the Greeks manage to recapture the machine-gun nest, setting free the soldiers who had been pinned down. The platoon in question puts up a hard fight against the Italian invaders, while, at the same time, the Greek army is preparing for a counter-attack, which doesn't take long to happen. Right after, the Italians are forced to fall back; Northern Epirus is recaptured, and the army of the Badoglio is repulsed from the Adriatic.

Andreas, nephew of the abbot of the Monastery of Dionysios, who died eight years previously, arrives at Agion Oros (Mount Athos) with a team of smugglers of antiquities, with the intention of stealing a gold cross set with precious gems, known as the Cross of Alexander the Great. He earns the trust of the meek and hospitable monks. However, a Jewish girl, Anna - whom, while still a baby during the war, her father had entrusted to the care of the hermit Vasileios - continues to pretend she is a young monk. She manages gradually to discover the entire scheme and acts to foil their plot.

A poetic visit to the city of Athens, based on paintings, poems and philosophical texts.

Alexis is an explosive personality, passionate about life, humanity, nature, love and beauty. That is until the breakneck rhythm, intensity, stress and convolutions of career and economic success shatter him, alienating him from everyone and everything he loves: even his children and his soul mate Maria. Alexis is jolted back to reality when the unbridled greed of the multinational conglomerate his company is involved in causes an unprecedented ecological catastrophe costing many human lives. The multinational's Golden Boy suddenly realizes that he is nothing more than a cog in the machine he had fought so passionately against in his youth. He is determined to rediscover himself, to reclaim his soul, to rebuild the dream with Maria - but he is completely trapped. He is caught in a web of intrigue that tightens like a vice driving him to an inevitably lethal conflict with the conglomerate.

A U.S. Embassy worker is helped by an Interpol agent to prove herself innocent of a murder in the Greek isles.

A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.