Paulo Azevedo

"Clandestine Soul" is a sensory and emotional biography of the Brazilian political activist, Maria Auxiliadora Lara Barcellos.

After the death of her mother, a 10 year old girl and her father must confront grief in its most nefarious form.

When a young boy turning sixteen and facing all the insecurities of the age is taken by his father to loose his virginity. He realizes that what was suppose to be a gift speaks much more about his father than himself.

Brazil, 1981. Rodolfo sees his private and social life clashing when young Alberto is employed at the office of his little town.

Two men talk by a window while they observe the neighborhood.

Two retired detectives, who were active during the Brazilian dictatorship, must confront the past when asked to depose to a Truth Commission regarding their investigation into the suicide of an artist and his infamous last masterpiece.

Mid-19th century. A group of survivors from a wrecked slave ship, both black and white, end up on a deserted island, somewhere in the Atlantic Ocean. The fight for survival and power will flip the moral and social values of those days.

The narrative takes place in 1888 and tells the story of Lenita, a young woman, raised by her father, with an educated background, who disregards the existence of a man at his intellectual height. The film exposes the character's internal conflicts and the conventions of the time.

"In the beginning of this project, I wanted to do a documentary film based on this book by Luiz Ruffato. However, I ended up doing a feature film with many links to documentary. I wanted to know what made Brazilians want to emigrate to Portugal. I chose working with amateur actors and non-actors in both cities, so their own life stories and experiences could be in the film. I did the other way round from the writer. He found these people and made them characters of his book. I looked for people who had similar stories to those described in the book, and made them characters of my film. When I read the book, I was seduced by its "false documentary" characteristic. The book was all written as if it was the transcription of an oral interview the writer had done in Lisbon. I decided to keep this narrative in the film, by a narration with the main character talking to the camera. It's a film about emigration. About dreams and disappointments," says Barahona

Karin, Magali and Luna are three call girls, who decide to apply some marketing knowledge on the world's oldest profession.