Klavdiya Polovikova

Pilot Losev, who lost his family during the war, learns that his daughter Aurika was saved during the bombing, and sets off in search of her. The former pilot will survive many fates and stories before a familiar chorus of a lullaby helps him to recognize his daughter in a random fellow traveler.

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

As 1809 nears its end, Natasha attends her first ball, where Andrei falls in love with her with the intent of marriage. However, as her father demands they wait, the prince travels abroad, leaving Natasha in desperate longing. But she meets Anatol Kuragin and forgets Andrei. Part two of the four-part adaptation of Leo Tolstoy's 1869 novel.

About the life of the Russian composer Mikhail Glinka.

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

In 1805 St. Petersburg, Pierre Bezukhov, illegitimate son of a rich nobleman, is introduced to high society. His friend, Prince Andrei Bolkonsky, joins the Imperial Russian Army as aide-de-camp of General Mikhail Kutuzov in the War of the Third Coalition against General Napoleon Bonaparte. Part one of the four-part adaptation of Leo Tolstoy's 1869 novel.

Rodka Gulyaev is a pupil of the Gumniskii rural secondary school. One day on the bank of the river he digs out the darkened old icon. Unfortunately for him his grandmother Avdotya, an overbearing and cunning old woman, spreads a rumor that the icon is miraculous, and her grandson is a saint.

Thirty-year-old captain of the hockey team Duganov, a famous and experienced player, decides to fight for the sporting longevity of "old men" like him. Acutely experiencing a quarrel with his favorite girl, Duganov achieves participation in the decisive final match between the two strongest teams and achieves victory.