Giorgos Kordelas

Arhangelos tou pathous: In anticipation of hearing a single word by midnight on his coming birthday, a self-destructive symphonic composer makes an out of bounds and dangerous bet on himself.

An avid collector of Greek objects in Asia Minor, Dimitris, prepares an exhibition on multicultural life in Smyrna before World War I. In a trip to Izmir his girlfriend Rita, he finds in a small antique shop a Greek wedding dress that is stained with blood and an old photograph that send him on a journey to bridge the past with the present.

An arrogant politician feeds his mail ego in meeting with a Russian call girl. At the same time his wife, a young hysterical star, picks a fight on set with a talk-show hostess who is in a loveless marriage with a yuppie manager who vents in therapy.

Christmas Eve, in a camp somewhere on the Greek-Turkish border in Evros. A taxi pulls up outside the gate and drops off an unaccompanied baby. The taxi driver informs the guard post that the baby's mother is sending him to his father, who is serving in the army. That's when it all begins...

The Lecco, an art collector, promises to help him, asking him to return to bring him a valuable vase from the archaeological museum of Amorgos, stealing it and replacing it with a copy. Alkis accept and go on Amorgos where he meets a girl, Ariadne. The divine aura of mysterious girl, no one on the island knows or has seen in captivates and entangles in a strange metaphysical conundrum, where added and the sudden death of Lecco.

"Porto Leone: In the red-light district", takes us on a journey to Piraeus in 1964-65

A young beautiful girl who has a relationship with both a young man and his father. When she learns the truth about the two men she is connected to, she does nothing to straighten things out and things start to get complicated.

Another great success by Mirella Papaikonomou, which outlines in the most dramatic way the catalytic power of absence. The series is filmed, for the most part, in enchanting locations in Crete. The messes at his daughter's wedding party hide his plans. In the wake of the mantinades, Sifis packs his things and says goodbye to his wife after 22 years of marriage. The closed society of Chania is in uproar. And as she desperately demands "purification", his wife will search for the reasons that led Sifis to this decision. And while he is absent, Stathis, his close childhood friend, stands by his wife's side. Can the absence of a loved one prove worse than his presence? And how catalytic can this absence prove to be for people's relationships and emotions?