Stavros Partheniadis

A young hoodlum tries to separate himself from his gang, while at the same time taking on behalf of his boss the blackmail of a businessman's wife.

Stella is a beautiful young girl who dreams of becoming one day a famous singer. Her boyfriend Andreas leads a quiet life working at his small store, and doesn't approve Stella's quest for fame. When she decides to leave Athens for a singing job offered to her somewhere in north Greece, Andreas sets off on a quest to find her again and convince her to come back to him

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.

Mika is a young woman living in a crazy ... family. Her mother, Pasta Flora, is alienated, her little sister is uncontrollable, and her father is a good, but cowardly, man. She's engaged to Mikis but the day before their wedding she goes to Venice and marries Andreas, who, after meeting her family, he undertakes to make sense of them.

During a hunting party on New Year's Eve 1976, five representatives of the bourgeoisie encounter with their companion the body of a partisan from the Civil War of the late forties. What they are most confused about is the fact that the corpse that lies at their feet is still bleeding…

A rich widow tries to pursue a relationship with a younger violinist despite the objections of her older brother and his wife.

A wealthy member of the upper classes and his three sons withdraw to a country villa where they spend their days in complete idleness, having everything done for them by their young and beautiful maid. They surrender to the pleasure of sleep, while idleness permeates the tiny world of these living dead, with the exception of the woman who is the sole representative of positive values, will-power and action. Finally, the youngest son will try to break free.

A traveling theatre troupe tours the Greek countryside from 1939 to the early 1950s, staging “Golfo the Shepherdess”. As the years pass, its members endure persecution, betrayal, executions, and exile. Their personal stories become entangled with the country’s major historical events, in a seemingly endless cycle of violence and loss.