Marcelo Camorino

Two con artists try to swindle a stamp collector by selling him a sheet of counterfeit rare stamps, the "nine queens".

Produced by the National Institute of Cinematography in the National Short Film Competition, 1985.

Axel is an employee of a call center who is used to complaints from his clients and an unbearable boss. Axel has a natural talent for dealing with people and their problems. But one day everything changes, when he receives a call from Figueroa Mont, a frustrated client who wants to unsubscribe. Fed up with the bureaucracy of the companies, Figueroa warns Axel that he is watching him through a telescopic sight attached to a high-precision rifle and that if he does not solve the problem, he will blow his head off.

An actor exiled by the dictatorship, back to his country again and is reunited with his friends.

A retired teacher and a soap star leave their routines and the men in their lives behind and embark on a weekend trip.

An early black-and-white mood piece, Rejtman’s lyrical short film fuses a young couple’s passage into early adulthood with a journey through Buenos Aires in the quietest moments at the very break of day.

A film director is preparing her latest film. As filming progresses, the love story she shared with her ex-husband and the musician in the film resurfaces.

Mariana, 15, escapes the violence of her home in Santa Fe. She embarks on a search for her biological father and takes refuge in an orphanage where she finds affection from a distant relative. On his journey through the interior of the province, he discovers its inner strength.

Marcelo decides to abandon his life as a city publicist, sells his properties, and builds a ranch on the island. He sails to Don Armando's store for supplies. Victoria works there, with whom he has a romantic relationship and ends up living with him. One night, two men try to rob them; Victoria is shot and killed, and he kills her attackers. The ranch burns down. Marcelo abandons his lost paradise by rowing downriver.

An impossible love story that begins outside a movie theater, continues in a café and could end with the two protagonists together… if real life wasn’t much more complicated than the movies. United by their love of cinema, these two main characters decide to live the lives they dreamed of and not the lives they are destined to live. In a series of encounters, imagination triumphs over reality and everyday reality takes a back seat.

Two Argentine sisters, Memé and Aneta, lose their mother in a car crash. Memé, the elder, is also left lame with one badly scarred leg. The orphaned girls go to Uruguay to stay with their aunts. The sisters often bicker, but they are actually very close. Memé flirts but has no luck with boys because of her injury... On their own now, Memé works as a waitress where she gets to know Andy. Returning to Montevideo, they meet Dolores, a friend of their late mother. Memé's affair with a man complicates her relationship with her sister. Then Andy invites the pair to his seaside retreat, a lighthouse.

Irene lives with Mateo, his father, and her son David, 22 years old. Living together is harmonious and happy, but there is a conflict: David, a brilliant student of architecture, has decided to go and live with his girlfriend Clara, a supermarket cashier. Despite its liberal way of thinking, Irene cannot understand such an unequal relationship. However, David finds in his grandfather the necessary complicity to carry out his plans. Mateo is a old and vital octogenarian despite his tough history: he was a child during the Spanish Civil War (1936-1939), and he lost his house and all his family. But none of that could finish with his energy and desire to live. One day, however, Mateo arrives with terrible news.

After the sudden death of El Gato, his body must be carried in the rain to the cemetery.

Barbara is an Italian actress, superstar, who comes to Argentina to star in her own musical. She meets a photographer named Mauro and falls in love with him; but Mauro keeps a secret that she will soon discover.

A disgruntled book editor is about to commit suicide when he is interrupted by a woman, who threatens to do the same if he does not read her book.

A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.

Things begin to fall apart for Samy (Ricardo Darín), a longtime television writer on the brink of turning 40, when his midlife crisis starts interfering with his career. Suddenly, his scripts just aren't that funny, and he's considering leaving showbiz altogether. Can a pretty new actress (Angie Cepeda) help him turn his life around? Eduardo Milewicz directs this Spanish-language romantic comedy.

Clara Goldstein is a lovely, middle-aged Jewish woman who, because of an impending visit from her American brother, is forced to create a contrived relationship with a man of her own faith. She places an ad in a personals column and meets Raul, a well-spoken, handsome and charming man whom she soon discovers is a Gentile and does not fulfill her reason for placing the ad. Having no alternative, Clara proceeds to instruct Raul with an intensive course in Judaism. Their journey is both humorous and captivating, but not without pitfalls. These two mature people risk a last chance at a meaningful relationship in their lives.

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - tough men with their own ethical codes and ready to do anything not to return to prison. Some of them will suffer violent deaths, while others manage de disappear. Sordid and moving stories, not excluding tenderness and love, mercy or horror sealed with a pact of prison love that will remain in the heart of Buenos Aires, as witness of the yearned-for freedom.

During the last days of Eva Peron, a pair of low-ranking detectives are thrust into a case of corruption involving the Mafia.