Sarah Sterling

When Lise's car bumps Antoine's bike, they recognize each other from a brief fling 20 years before while at the Sorbonne. He's now a professor of Greek; she's loathe to tell him she's a police inspector. A call interrupts their first dinner date: a Deputy of the National Assembly has been murdered. She has a suspect, another Deputy, and must track him while deflecting Antoine's eye from her vocation. All roads in the inquiry lead to Christine Vallier, the dead Deputy's mistress, a beguiling 22-year-old whose mother ran the Assembly's snack bar. When more deputies die and Antoine learns Lise's identity, she must act quickly solve the crime and save her future.

Since his wife died, Inspector Louis Baroni (Philippe Noiret) has become a virtual recluse, preferring the solitude of his quiet house to the company of others. His period of mournful contemplation is broken when he is called out to look into the suspicious death of Madame Morlaix who, according to her husband Edouard (Michel Serrault), fell from an upstairs window. Curious to find out more, Baroni begins his inquiry.

Imitating stars from French pop music is the only leisure activity of a village girl. She decides to go to Paris with her mother in order to try her luck in show business industry.

Malisard is a reporter at "Soir de Paris", his colleague Prévot is a photographer. Together, they roam the streets of Paris.

A man decides to use the classifieds to replace his mistress who left him.

Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.

Georges,a trucker, is the single father of young Frédéric. His job prevents him from seeing his son as often as he could, as often as he should. Brought up by his grandparents, Frédéric proves a difficult child. His only friend is his twelve-year-old neighbor Rose. One day, Georges tells his son how Agnès, his mother, abandoned him at birth. Upset by such a revelation, Frédéric decides to be revenged...