Carl Goetz

Prison break. A murderer seeks refuge inside a barn.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.

In Vienna, the director of a sanatorium is telling writer Kristinus the story of a strange case. The very rich and dandy-esque Baron von Stroom had fallen in love with an actress but could not conquer her. One day he acquired a Chinese clay figure of a Mandarin, a talisman whose possessor is said to be able to seduce any woman he desires. As promised, all women's hearts fall to Baron von Stroom. The first is the actress, followed by the wife of the railway king, and then a Princess. Every time the Baron calls out “Man-da-riiiin”, the statue becomes alive ready to make another woman fall in love with his master. But von Stroom soon begins to feel nostalgic for the times when he would conquer the women he desired. However, his attempts to seduce women without the help of his ghostly servant become utterly unsuccessful. Unable to get rid of his devilish servant... Produced one year before The Cabinet of Dr. Caligari, The Mandarin is a predecessor of German expressionism.

While staying with her aunt at a fashionable spa, Else receives an unexpected telegram from her mother, begging her to save her father from debtor’s jail. The only way out, it seems, is to approach an elderly acquaintance in order to borrow money from him. Through this telegram, Else is forced into the reality of a world entirely at odds with her romantic imagination – with horrific consequences.

A young man is convicted of manslaughter and sentenced to a term in prison. There he forms a close relationship with his cellmate. Upon his release his wife is concerned as to how prison has changed the man she married.

About a lurid tale of magic and secret societies during the reign of Luis XVI, focused on the figure of the Italian occultist Giuseppe Balsamo, known under his alias of Count Alessandro di Cagliostro.