Frank Wedekind

Young adults growing up in an oppressed society, finding ways to fight back and discovering as individuals who they truly are.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Everyone is addicted to Lulu. As a symbol of the seductress, she drags everyone around her into the abyss: the elderly Dr. Goll, the mediocre painter Schwarz, her foster father Dr. Schön and the lesbian Countess Geschwitz - all succumb to her beauty and pay with their lives.

William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score.

At a peculiar all-girls academy, new arrivals, including Iris, are delivered in coffins. Guided by enigmatic teachers, the students dance through enchanted woods by day, while the night unveils sinister lessons that blur innocence and awakening.

Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.

A 14-year-old girl is caught while trying to pick a doctor's pocket. The doctor ends up taking her in and turning her into a sophisticated lady, whom he marries off to a wealthy man.

King Nicolo through hit egoism and slackness has lost his fame and power is now deposed, completely alone and walks through his former empire, unrecognized, in constant fear of people whom are foreign to him.