Hussina Raja

In a time of starvation, a survivalist lives off a small plot of land hidden deep in forest. When two women seeking food and shelter discover his farm, he finds his existence threatened.

An artist wishes to marry her childhood sweetheart and settle into family life. However, her boyfriend, who is a genius mathematician is afraid of commitment and breaks up with her just ahead of their wedding. What will the future hold in store for them?

An addict is trapped to live the same day over and over again when he is placed onto an experimental rehabilitation program that involves memory-looping.

CCTV operator Carl becomes frustrated when the police refuse to tackle a gang of drug dealers. He takes the law into his own hands with devastating repercussions.

A short about racism and Islamophobia in the UK.

From the cliffs of the Isle of Wight to an abandoned swimming pool in Lambeth, Boys On Film 8: Cruel Britannia presents an eclectic mix of ten UK-set short films including: Harry Wootliff's "I Don't Care" starring Iwan Rheon; Ben Peters's "Downing" starring Jamie Brotherston and Ross William Wild; David Andrew Ward's "All Over Brazil" starring Iain De Caestecker, Frank Gallagher, and Gemma Morrison; David Leon and Marcus McSweeney's "Man and Boy" starring Eddie Marsan, Geoff Bell, and Eddie Webber; Aleem Khan's "Diana" starring Neeraj Singh; Jason Bradbury's "We Once Were Tide" starring Alexander Scott, Tristan Bernays, and Mandy Aldridge; Hong Khaou's "Spring" starring Chris O'Donnell and Jonathan Keane; Sybil H. Mair's "The Chef's Letter" starring Jonathan Firth, Ray Fearon, and Layke Anderson; Faryal's "What You Looking At?!" starring Rez Kabir, Michael Twaits, and Hussina Raja; and Dominic Leclerc's "Nightswimming" starring Harry Eden, Linzey Cocker, and Tim Dantay.

A young man spends most of his time recording self-tapes for parts he never gets. After multiple rejections for a series of nightmarish commercial auditions, he takes it upon himself to find a new part to play.

After a long absence an artist returns to her gentrified community where she explores her social position and complicity in the rapid changes.