Pablo Alvarez Mesa

A doomed love triangle between intrepid French scientists Katia and Maurice Krafft, and their beloved volcanoes.

Weeping Rocks follows Art, an entomologist nearing the end of his life, who has spent over five decades walking the same ten trails counting butterflies. His eccentric practice has uncovered patterns of environmental decline that went unnoticed for years. As time reshapes the landscape and species fade, Art’s journey becomes a meditation on mortality, change, and the beauty of what remains.

Facing the death of his country’s glaciers and the loss of his beloved grandparents, Icelandic writer Andri Snær Magnason turns his archives into a time capsule to hold what is slipping away — family, memory, time, and water.

Follows a young woman named Audrey Benac on a research odyssey of ghostly possession in which she endeavours to restore the legacy of the forgotten Canadian violinist Kathleen Parlow.

Drifting between moving-image formats and collaging local textures and bygone voices, Oscar Ruiz Navia’s film reflects on loss and mourning as experiences of temporal dislocation.

Exactly 200 years after Simón Bolívar’s Colombian war of independence, a campaign that ran from late May to early August 1819, filmmaker Pablo Alvarez-Mesa follows the iconic Libertador’s route through the country. At each historic battleground, he calls on a medium to summon the general’s spirit, helping Alvarez-Mesa reveal Bolívar’s permanent and more or less visible presence in an array of social rituals and state structures. This historic legacy, after two centuries transfigured into a blend of political mysticism and unchallenged military doctrine, remains an integral part of Colombia’s collective unconscious. It keeps finding new expression in an endless cycle of violence, which this intriguing medium-length film seeks to exorcise. (Charlotte Selb)

'La Pesca' portrays a day in the life of a family of fishermen in Colombia. With poetry and sensorial richness, the film captures the gestures of these men as they weave nets, cook, and play dominoes, all the while waiting for the fish to come so that they can recommence anew.

Pushing at the limits of non-fiction cinema, A Man Imagined is a bracingly intimate and hallucinatory portrait of a man with schizophrenia surviving amidst urban detritus and decay. Made in close collaboration with 67-year-old Lloyd, this immersive documentary fable follows the jagged path of a decades-long street survivor, across harsh winters and blistering summers, as he sells discarded items to motorists, sleeps in junkyards and lapses into near-psychedelic reveries.