Osip Brik

At the end of the 1920s, young lace factory workers' Komsomol cell faces a conflict between political activists and hooligans, while dealing with an inactive club and bureaucratic apathy.

Lowly Mongolian trapper Bair, shunned by his fellow trappers for fighting with a trader, flees his trading post and joins the Soviet partisans trying to oust the occupying British forces. After Bair is captured and shot by the British, they find an amulet on him suggesting he is a descendant of Genghis Khan. The soldiers nurse Bair back to health and use him to establish a puppet government, unaware that their plan will backfire when the puppet breaks his strings.

The vain station master of a Russian train station out in the sticks has a quarrel with an old peasant woman and has her thrown in jail. The local party youth organisation finally manage to get her released, after having to cut through lots of red tape.

Andrei Latonin had jumped with a parachute many times before, but on the day of the holiday he got scared and stayed in the cockpit of the plane. Deeply upset by his failure, Latonin decides to leave his homeland forever and joins a steamship as a sailor. On the way, Andrei meets an expedition group heading for the crater of an active volcano and joins the scientists.

A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution.

The screen adaptation of the novel by Tadjik writer Sadriddine Aini, telling the story of a tramp who falls in love with a rich girl, was supposed to become the first full-length feature film in Central Asian film history. But the unfinished Dokhunda was banned by the Soviet authorities when film production was already in full swing. No footage survived. This is why Izvolov had to rely on Lev Kuleshov’s draft to study and appreciate the maestro’s vision and the unique aesthetic concept, which was never to be realised during Kuleshov’s lifetime.