Martina Serafin

This Seefestspiele Moerbisch production of Johann Strauss Jr Gypsy Baron - Bibl, Edelmann movie. 's "Der Zigeunerbaron" (The Gypsy Baron), which, since its premiere in 1885, has only been superseded in popularity by Die Fledermaus, features a cast including Martina Serafin, Harrie Van Der Plas, Peter Edelmann and Heinz Zednik. Rudolf Bibl leads the Festival Orchestra. Gypsy Baron - Bibl, Edelmann movie was released Sep 25, 2007 by the Videoland Opera studio.

Christof Loy continues his exploration of early 20th-century opera at the Deutsche Oper Berlin with Respighi's rarely heard La fiamma. Imposing choruses and sweeping tableaux drive a drama of suspicion, desire and public frenzy, heightened here by Carlo Rizzi's musical direction and a cast led by Olesya Golovneva and Georgy Vasiliev. Premiered in 1934, the work mirrors a society sliding towards authoritarianism, its show trial carrying an unsettling emotional charge. Respighi's score moves beyond the colours of the Trilogia romana, blending impressionist shimmer, Russian influence and a renewed fascination with Italian Renaissance sound worlds.

This outdoor performance of Carl Zeller's celebrated operetta was staged at the Seefestspiele Mörbisch in 1998. Seefestspiele Mörbisch is an operetta festival held annually at Mörbisch am See in Austria. In the story, Adam, a handsome bird-seller from the County of Tyrol, finds himself in the Rhineland, where he and a village postmistress become entangled in various romantic intrigues and misunderstanding at the prince's court.

Conductor Johannes Wildner leads the Philharmonic Orchestra Bratislava in a command performance of Johann Strauss's final operetta, "Wiener Blut" (Viennese Blood), at Austria's internationally recognized Mörbisch operetta festival in 1994. The production -- featuring a libretto by Victor Leon and Leo Stein -- showcases the choir of the Concert Union of the Wiener Volksoper and the Ballet of the Slovak National Theatre.

Motivated by the love that bound him to Mathilda Wesendonck, Richard Wagner’s composition of Tristan und Isolde goes far beyond any simple operatic gesture. Peter Sellars’ production pours oil onto this troubled sea of emotions in an almost dematerialised setting bared of all earthly contingencies whilst Bill Viola presents the lovers’ initiatory quest for nirvana in videos detached from the stage, suspended like altarpieces.

In a mythical yet real Rome, from the shadows of the church of Sant’ Andrea della Valle to the terrace of Castello Sant’ Angelo, passions collide and tear all apart, mingling the erotic with the sacred, love with possession, theatre with life. Nothing is what it seems in Tosca. Live from the Opéra Bastille in Paris.