Fito Páez

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

Diego Simonney is a lonely man living by the sea, once a famed film director, thence fallen into decadence and oblivion, having lost control of his movie and, subsequently, his life.

Classical music student arrives from Buenos Aires to live with his rocker cousin in Rio De Janeiro. Between parties full of rock and roll, he has to decide between his childhood girlfriend, now a respectful businesswoman, and the volleyball player Vera.

After having a nearly fatal drug overdose, 19-year-old Argentine Martin is sent to Madrid, where his film director father lives with his new, younger lover, Alicia, and his bisexual actor friend, Dante.

Fito Páez gives a concert in a nightclub while, in parallel, a box is stolen from his dressing room and disputed by a group of dark, violent and mysterious characters. Movie inspired by Fito Páez's eponymous album.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family problem related with the inheritance that her sick father wants to leave him. Their return trip results in the unavoidable memories of the torture that that was object during the dictatorship and a dramatic revelation.

A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.

Fito Páez, soul of Argentine and Latin American rock, meets once again with Havana, city of the heart and many friends. In a confession of love, the artist reflects on a country, its history, its people, its musicians and its contradictions.

A documentary film that observes, listens to, and interacts with Fito Páez from a place of profound intimacy. The camera, almost invisible, witnesses his every move, accompanying him for over a year during recordings, rehearsals, tours, and performances in major cities across Latin America, Europe, and the United States. It is also a journey through the life of one of the greatest Spanish-language artists: his loves and heartbreaks, children and friendships, excesses, tragedies, failures, and successes.

A look into Argentina's rock scene post-Cromañon's tragedy. It does not just present the most popular songs by soloists and bands featured in the film, but it goes backstage and shows the artists’ private world, how they write their music, where they live, how they became what they are and what their dreams are.

The audiovisual piece shows us the interaction and philosophical conversation between Fito from '63 - played by Juan Cottet -, the one from Circo Beat - embodied by his own daughter Margarita Páez -, the one from 2014, corresponding to the album Rock and Roll Revolution - in charge of Pablo Sigal - and the current one, played by himself.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

After meeting in an anger management group, two women embark on a journey of empowerment and friendship when they set out to expose a surgeon with a suspicious reputation.

A former Olympic athlete must return to the city where she grew up to fix family problems and face her past.

This video shows the studio recordings of Charly García and his band for the album Piano Bar

Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.

Liliana Herrero and Horacio González talk in the intimacy of their own home. The conversation about the versions of songs by Fito Páez recorded by Liliana for her latest album leads to deep and beautiful reflections.

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