Benjamin Stender

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

The year is 2047. Our planet is ruled by the repressive Confederate Central Government (CCG). Ryan is a Green War rebel agent sent on a mission by Sponge to collect evidence against the CCG for its heinous crimes. Ryan soon faces the sinister Colonel Asimov, Major Anderson and a group of mercenaries lead by Lobo. His mission quickly turns chaotic when he meets Tuage, a mutant survivor of the CCG rebellion who swears to help Ryan save what is left of their world … or does she?

A single mom arrives at her ex-husband's house to celebrate Christmas Eve with their 6year-old-daughter and her new family, but things quickly escalate for the worse.

Michele is a superficial man with nothing but contempt for other people and who lives only to show off his wealth on social media, until he finds himself mistaken for a North African immigrant in Eastern Europe and deported.

Sprees of violence, occult rituals, and brainwashing aren’t exactly what we’ve come to expect with Danish rock-legends Dizzy Mizz Lizzy. But in the hands of director Marc Luis Sutton, that’s exactly the story that unfolds in the 23 minutes long suite ‘Amelia’ from the band’s latest album, Alter Echo. The result is an opulent work of art, beautifully shot on 16mm.

In every man there lies a woman who can be awakened. The prohibited book De Serpentis Munere. Alchemical formulae able to change male DNA in female. Mysterious radioactive water. A biologist and a Vatican priest in search of the truth.