Sara Antunes

"Clandestine Soul" is a sensory and emotional biography of the Brazilian political activist, Maria Auxiliadora Lara Barcellos.

João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

"For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation." Rainer Maria Rilke.

When the monsters arrived, the warheads were launched. Almost a decade later, former police officer Pilar fights for survival in a devastated world, clinging to the fragments of hope she still has left, while a new purpose blossoms in her heart. Between alien creatures and men without sanity, Pilar’s great conflict remains in her own head: What’s the reason to keep fighting?

Young couple is just about to get married when the to-be groom ia called to pick up his fiancée at a motel. Afterwards they go through a crisis even before getting married.

On the first day of the year, multiple characters meet in a sumptuous country house nearside Rio de Janeiro. From dawn till dusk, they all face their crisis and limitations, and search for a meaning for their lives.

Teenager Joana feeds her soul with literature and rock. In 1979, when amnesty is granted in Brazil, she's forced to move with her family from Paris back to the country she barely remembers. Back in the city she was born in, and where her father was forcedly disappeared, she recovers pieces of memory from a fragmented childhood in Rio de Janeiro. Not everything is real, not everything is imagination. And as she remembers, Joana must write her own story in the present tense.

A young man on leave from prison, his straitlaced brother, his best friend, a rookie cop and a young actress collide over the course of 72 hours.

“De Dora por Sara” shares excerpts from writings, letters from prison and letters from exile exchanged between guerrilla Maria Auxiliadora Lara Barcelos and Clélia Lara Barcelos, recreating what she called “Dora Dam”, a communication field between confinement and the possibility of utopia. This research combines “real” words in a poetic time, feeling both the processes that led her body to suicide and the other way around: it investigates a vibrating field for her to relive, in a kind of “incarnate” cartography, averse to giving up.

'Second Call' focuses on the resilience stories of teachers and students in a complex public education system. After some time off from teaching, Lúcia Helena returns to the classroom, now giving night classes to teenagers and adults. Along with other three teachers and the principal, she faces institutional adversities and the lack of appreciation without flinching. The conflicts involve both the faculty and the student body and, in this scenario, Education emerges as a hope, reminding everyone that it is never too late to have a second chance.

Staying at home has become a form of survival in times of pandemic and the days seem to repeat itself. Now Murilo tries not to go crazy by touching life from the inside of the house.