Svetlana Mamresheva

A small but powerful orchestra with strict melodies and rhythms in the spirit of “Avia” unleashes a mechanical frenzy: artists under a thick layer of make-up are throwing replicas from Harms' stories and notebooks. Ultimately, this plotless musical by Maxim Didenko with the artists of the Gogol Center claims to incarnate (literally, from the word “flesh”) the universe of a unique writer, the demiurge of a dislocated reality.

A revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan. But also a switchblade-waving poet, a lover of beautiful women, a warmonger, a political agitator, and a novelist who wrote of his greatness. Eduard Limonov’s life story is a journey through Russia, America, and Europe during the second half of the 20th century.

While examining one of her patients, a doctor reveals that her husband is cheating with the patient's wife.

Dovlatov charts six days in the life of a brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought to preserve his own talent and decency with poet and writer Joseph Brodsky, while watching his artist friends got crushed by the iron-willed state machinery.

A young woman is engaged to a much older truck driver who promises to build a house for the two of them. A film in the Cabardino language.

Abstraction about love and search, oblivion and rebirth. The story unfolds in a conventional space that vaguely resembles our world - one scene smoothly changes into another, and with it the characters of the characters and their relationships, music and visual images change.

The three not-so-lucky guys are having the most difficult, weirdest and funniest day of their lives. Meanwhile, in Moscow, a gang of Kyrgyz conspirators begins to wield, a sexist gynecologist and a feminist traumatologist come to work, a film producer is cheating on the Motherland, and clay policemen are uncovering their batons. The only question is which of these meetings will become fatal for our friends.

During his life, Franz Kafka was a modest closed clerk, literature was his secret passion. By his own admission, he felt Flaubert, Dostoevsky and Gogol as his "blood brothers", but he bequeathed to burn his manuscripts. However, friends violated the last will of the author. Kafka's works, filled with bizarre images and paradoxical plots, were published posthumously and brought him worldwide fame. Today, Kafka is perceived as a brilliant prophet of the madness of the 20th century, and his name has become synonymous with a special type of absurdity.