Tanna Frederick

The story of how Marlon Brando plucked Bernard Judge, an obscure but idealistic Los Angeles architect from his stable existence and convinced him that he should build the world’s first ecologically perfect retreat on a tiny and uninhabitable Tahitian island.

There is a strange event in the sky. Only a young woman, and some of her more alienated friends...notice. But they are voiceless, as it just gets stranger - even as below - on the ground, it gets more, what is ominously called, 'normal'.

An electronic ankle bracelet and being under house arrest aren't about to stop up-and-coming actress Maggie Chase (Tanna Frederick) from the two things she craves the most: real fame and true love. With more "Google points" than her Iowa hometown, but far less than Angelina Jolie, Maggie is desperate to claw her way off the B-list of action/adventure pictures and into major movie stardom.

Stinging from the latest of several romantic break-ups, Pandora Isaacs (Tanna Frederick) retreats to the safety of her parents’ ramshackle upstate country house — just 45 minutes from Broadway— where her non-theatrical sister (Julie Davis) and her sister's fiance, a real- estate executive, (Judd Nelson) are also arriving for the weekend and the family's yearly Passover Seder. Family secrets, sibling rivalries, theatrical hysterics and the possibility of true love as rare as a blue bullfrog all emerge.

A film about the complex relationships between fathers and daughters, and the potential lifelong consequences of those relationships.

In this dark and uplifting comedic short film, Death pays an unsuspecting Flora a visit telling her it's her time. However, Flora doesn't want to go.

The 'M' Word" explores the themes of "menopause, men and menses".

The tale of a young girl fresh off the bus from Iowa, who falls in love with a sexy and promising young actor, though their relationship threatens to complicate her own obsessive goal of becoming a famous actress. The film perfectly captures the delightful and desperate lives of those chasing dreams in Hollywood: One day they are shuffling down a boardwalk with too many suitcases, and the next they are lounging in contemporary hillside homes with a view of the city. Though neither state is permanent the more desirable one fuels the dream. The story's extraordinary execution portrays Hollywood as the fantastic and insane place that it is. Written by Lane Kneedler, American Film Institute Magazine

Soul-touching and moving, TWO WAYS HOME compassionately follows Kathy (Tanna Frederick), a woman newly diagnosed with bipolar disorder who is released from prison on good behavior and returns to her country home in Iowa to reconnect with her estranged 12-year-old daughter (Rylie Behr) and her cantankerous elderly grandfather (Tom Bower). Her return home is turbulent and a rough, unwelcome transition in which Kathy must come to terms with her diagnosis and its implications on her identity, while also realizing that her family was happier when she was gone. Conflict with her family intensifies as she struggles to keep her head above water, putting her self-worth and well-being to the ultimate test.

Maggie Chase, now a passionate theater actress, must follow her mind or heart when she falls for a slick television star.

Jessie and Susan, and Chloe and Beth, who spend the weekend together and realize they are with the wrong partner. Susan and Beth were college roommates who are having a reunion at their former school. Susan travels up to Oregon with her current partner Jessie. Jessie is jealous of Susan's relationship with Beth. However, when Jessie meets Beth's partner Chloe, she is overwhelmed by her instant attraction to her. For Chloe, the feeling is mutual. It's a drama that doesn't take itself too seriously. When Jesse and Chloe are left alone together, their physical attraction overwhelms their better judgment and makes for some entertaining viewing

At the end of times a dysfunctional family takes a retreat into the woods to rekindle their bonds, only to discover a dark truth that lies within.

Henry Jaglom adapts his own play about his dad's experience doomed romance with an anti-semitic stranger.

Macy returns home to Briarhill, Montana as a rookie cop and to solve her mother's cold case. She's devastated to learn her cheating ex boyfriend is also a police officer at the same precinct. Upset, Macy drowns her sorrows at a bar and hooks up with Hunter, a silver fox, who turns out to be her boss AND her ex's dad! Their secret fling progresses, threatening both their jobs, but sparks fly as they are partnered together. Hunter helps trains Macy, building her confidence...