Directing

George Barber

No biography available.

Known For

Curtain TripCurtain Trip · 1991
Curtain Trip
1991
MovieAnimation
Short film.
Beyond LanguageBeyond Language · 2005
Beyond Language
2005
Movie
Video art by George Barber.
AutumnAutumn · 1996
Autumn
1996
Movie
Short film.
Schweppes AdSchweppes Ad · 1995
Schweppes Ad
1995
MovieComedy
Thirsty? The longing created by advertising is satirised in this remix of Schweppes advertising.
KiteKite · 1996
Kite
1996
Movie
Short film.
Refusing PotatotesRefusing Potatotes
Refusing Potatotes
Movie
Barber constructs a curious biography around his father's relationship to his nephew Alan Rickman who he dislikes one Christmas for refusing to eat potatoes – and the Barber family are later shocked at the Premiere to find that Rickman has ripped them off and used their father's speech in the movie Michael Collins.
Taxi Driver TwoTaxi Driver Two · 1987
Taxi Driver Two
1987
Movie
This revolves around Tim West, an advertising executive who is developing a Channel 4 programme on cooking for terrorists. Disillusioned by the hyper-reality of the media world, he joins Robert de Niro evening classes, but also falls under the pastoral influence of Johnny Morris. From the opening images of night-time, car-ridden streets accompanied by languorous sax on the soundtrack, through to the sub-Chandleresque voice-over narration, Taxi Driver II strikes you with its clever knowingness. But it's more than just a clever nod in the direction of contemporary film noir, just as it's more than an incestuous joke at the expense of the London based media world: it's a telling comment on the contemporary media culture of postmodernism.
ArizonaArizona · 1994
Arizona
1994
Movie
Short film.

Filmography

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Taxi Driver TwoTaxi Driver Two · 1987
Taxi Driver Two
1987
Movie
This revolves around Tim West, an advertising executive who is developing a Channel 4 programme on cooking for terrorists. Disillusioned by the hyper-reality of the media world, he joins Robert de Niro evening classes, but also falls under the pastoral influence of Johnny Morris. From the opening images of night-time, car-ridden streets accompanied by languorous sax on the soundtrack, through to the sub-Chandleresque voice-over narration, Taxi Driver II strikes you with its clever knowingness. But it's more than just a clever nod in the direction of contemporary film noir, just as it's more than an incestuous joke at the expense of the London based media world: it's a telling comment on the contemporary media culture of postmodernism.

Director