Juan Manuel Montesinos

Jorge plans to sell the family plantation so that he and his wife, Aida can leave the country. Story centers on events which take place during the two days and a night of negotiations for the sale with two visiting men.

A hazardous encounter leads América and Juan Pedro to recognize in each other the unsuspicious emotion of the first love. Young and innocent identified with their artistic devotion -he is a composer, she a dancer- they overstep the bound of their shared feeling, joyful and without great fears. They never imagined that their openhearted and pure love could hide a stain: that of racial prejudice.

In 1856, a whaler arrives in Paita, Peru; on board is Herman Melville, who is astonished to learn that Manuela Sáenz, for eight years the lover of Simón Bolívar, is still alive. He calls on her, and although she will not talk to him about her life, his visit sends her to her chest of Bolívar's letters. As she reads them, the sepia-toned present gives way to flashbacks in color: she meets 'the Liberator' in 1822, becomes his lover, and also becomes a colonel in his military movement to realize the 'Gran Colombia', one nation across South America. As plague (brought by the ship) closes in on Manuela's household, so does her tempestuous story move toward Bolívar's betrayal and death.

Carlitos López tries to recover her robbed car named Sharon, even if that risks his relationships with his ex-wife, girlfriend, and family.

In one corner of the world, the imminent arrival of an asteroid shakes the foundations of reality. Life, once predictable and routine, transforms into a frenetic search for meaning and celebration. 'La Rumba de Fin de Mundo' immerses us in a chaotic and moving week, where a diverse group of people confront the finitude of existence.

A politically charged film, where a series of archetypal characters are presented.

Journalist exposé about how power and money ultimately corrupt the innocent.