Madis Kõiv

The action takes place in post-World War II Estonia. An old man lives alone on a deserted island which the Soviet fighter planes use for nighttime target practicing. A young neglected boy, who has become mute, is banished from the mainland and sent to the island to keep the old man company. Both are haunted by memories, the boy about his mother and the old man about the years before World War I he spent as a young missionary in Africa

Jeremia Juunas Kirotaja has been fighting in Afghanistan; 21 years later he returns to Estonia to his father's funeral. He has converted to Islam and his only connection to his native land is the sound of his daughter Angel's crying that he heard a long time ago on the phone. Jeremia starts to search for his family. The daily life - if this can be called life in the first place - of the dusty and abandoned town is being run by women since men are almost gone. Nevertheless, the women seem to hope that Jeremia will be able to do something about it in order to remove the paralyzing feeling of emptiness.

The film consists of three chapters. The Manslayer takes place more than a hundred years ago. The leading character Maara is a young bride who is about to start her life in her new family. The Virgin, set in the spring of 1949, tells the story of a young woman called Elina, who has been deported from Ingria into Estonia during the previous war. The Shadow moves in the present, on the border of real life and fantasy. The main character, Luna Lee, has decided to flee from home. Is there anything besides emptiness somewhere? The film is led by the singularity of the leading character - Maara, Elina and Luna Lee are all played by the same actress.

Autumn 1944, Estonia. Tens of thousands of people leave their homeland in fear of approaching frontline. Some seashore villages remain completely empty. A young woman with huge grey eyes gets off the boat. Eetla leaves the last boat, thus giving up her last chance to escape. Defying the cold wind and rain of September, she returns to the lighthouse which is unexpected to her father Gottfrid, the lighthouse keeper, and herself. Eetla's return becomes her self-encounter and self-recognition.