Kenzaburo Hara

A college student takes over the family business in the field of organised crime.

The young rambler, Shinji Taki, with his guitar arrives a hot spa town at the foot of Mount Aizu Bandai. Of course he solves the problems in the town while encountering the sinister rival, Masa "the pistol guy".

Plans to build a touristic hot spring on the island of Izu Oshima run afoul of the Kobe yakuza group, which intends to use the island as a relay base for drug smuggling.

Arriving in the town of Hakodate, a wandering musician, Shinji Taki, is soon recruited by the local gang as a hired hand. However, with the arrival of a sinister gunman, Taki's mysterious past catches up with him.

An airplane loaded with 50 million yen for the reconstruction of Amami Oshima crashes en route from Kagoshima, Kyushu, but neither the money nor the remains of the pilot can be found.

The 3rd film of the famous "Wataridori" (The Rambler) series from Nikkatsu. The young rambler, Shinji Taki (Akira Kobayashi), with his guitar arrives in Sadogashima Island, Niigata, Japan. Of course, Shinji meets yet another beautiful girl named Noriko, who closely resembles the famous actress Ruriko Asaoka again. Of course, Noriko is in trouble. Of course, Shinji's yet another skilled rival named "Tetsu, the Gunman" comes to Sado shortly. Of course, the villain tries to kill Shinji and Tetsu. Of course, Shinji solves the problem and leaves Sado suddenly.

A youth film starring Kōji Wada and Mayumi Shimizu

In the nine part Wataridori series (1959-1962), Kobayashi played a wanderer on Japan’s back roads with most of the accoutrements of a Western hero, from a horse to fringes, guitar and even a trusty bullwhip.

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.