Shūji Terayama

Directing

Shūji Terayama

Born December 10, 1935 · Aomori, Japan

Died May 4, 1983 · aged 47

From Wikipedia, the free encyclopedia. Shūji Terayama (December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters, he was one of the most productive and provocative creative artists to come out of Japan. He was born December 10, 1935, the only son of Hachiro and Hatsu Terayama in Hirosaki city in …

Known For

Wilderness: Part 1Wilderness: Part 1 · 2017
Wilderness: Part 1
6.32017
MovieDrama
Set in the near future around Shinjuku, Tokyo. Shinji got out from a youth detention center. Barikan suffers from stuttering and extreme shyness. These two men meet in a boxing gym. Shinji and Barikan become friends and pursue boxing under a hopeless situation.
Fruits of PassionFruits of Passion · 1981
Fruits of Passion
5.31981
MovieDrama
A girl named O loves a rich, and much older man. She is subjected to a variety of humiliating experiences to prove her unconditional obedience to him in a Chinese brothel. A poor boy sees her and falls in love with her. To get the money needed to sleep with her, he takes part in rebellious acts.
Private CollectionsPrivate Collections · 1979
Private Collections
5.91979
MovieDramaRomance
Three stories. A solitary sailor falls from his boat and washes ashore on a tropical island. While seeking rescue, he's found by a nearly naked woman who is playful and compliant. He decides to erase his signs of distress and remain on the island. What awaits? In the second, an adolescent searches for the words of a nursery rime he remembers bits of. His journey takes him into dreams, sexual awakening, and Oedipal fantasy. Third, a man of wealth in late-nineteenth century Paris hires a prostitute for the night. She's also cabaret performer and takes him to her room. He fears he's about to be robbed. What's her secret?
Third BaseThird Base · 1978
Third Base
6.41978
MovieDrama
Third is an aimless young man who hangs around with a couple of girls who are amateur hookers. One day, while acting as their pimp, he gets into a conflict with a young gangster and winds up killing him.
Get 'em AllGet 'em All · 1960
Get 'em All
7.01960
MovieCrime
Gang of robbers quarrel about the loot, but when one of them gets killed, his younger brother seeks them out to ice them one by one.
Throw Away Your Books, Rally in the StreetsThrow Away Your Books, Rally in the Streets · 1971
Throw Away Your Books, Rally in the Streets
7.41971
MovieDrama
An experimental, psychedelic odyssey through Japanese subculture experienced via the eyes of a disillusioned young man, who must contend with intense familial dysfunction, psychosexual alienation, and existentialist malaise.
Tableaux d'une explosionTableaux d'une explosion · 2026
Tableaux d'une explosion
2026
MovieMusicDrama
In a post-apocalyptic world, a love triangle involves three models under the spell of a demiurge fashion designer. TABLEAUX D'UNE EXPLOSION is a collision, a reinterpretation of the Petrushka tale set to Mussorgsky's music, 'Pictures at an Exhibition'.
The BoxerThe Boxer · 1977
The Boxer
7.21977
MovieDrama
In the midst of a match, Hayato, a successful boxer, has had enough of the sport. He lets himself get knocked out, and quits boxing, leaving his wife and living alone with his mangy dog. One day a young mediocre boxer knocks at the door and wants to be Hayato's apprentice.

Filmography

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Les chants de MaldororLes chants de Maldoror · 1978
Les chants de Maldoror
6.41978
MovieFantasy
A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

Director