Acting

Mathilde Sussin

Born September 21, 1876

Died August 2, 1943 · aged 66

No biography available.

Known For

People Among UsPeople Among Us · 1926
People Among Us
7.31926
MovieDrama
Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.
The Ghost With the Deadly KissThe Ghost With the Deadly Kiss · 1922
The Ghost With the Deadly Kiss
9.01922
MovieDrama
The good citizens of a small Austrian town are all aquiver; the schoolmaster has published a brochure in which can be read, black on white, the story of the 'dead guest,' in whose embrace the town's prospective brides found death. But worst of all, the writer of the brochure has plausibly concluded that the 'dead guest' will return this very year! A copy of this film is conserved in the Centre national du cinéma et de l’image animée (CNC).
Die berühmte FrauDie berühmte Frau · 1927
Die berühmte Frau
10.01927
MovieDrama
Spring AwakeningSpring Awakening · 1929
Spring Awakening
10.01929
MovieDrama
Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.
The Waltz DreamThe Waltz Dream · 1926
The Waltz Dream
5.91926
MovieDrama
Austrian actress Mady Christians stars alongside German matinee idol Willy Fritsch in this adaptation of the Oscar Straus operetta about a Prince who, after falling for a Viennese girl, becomes obsessed with the city and its customs.
The BuddenbrooksThe Buddenbrooks · 1923
The Buddenbrooks
6.01923
MovieDrama
Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.
The Black Tulip FestivalThe Black Tulip Festival · 1920
The Black Tulip Festival
9.01920
MovieDrama
Based on the novel The Black Tulip by Alexandre Dumas.
U 9 WeddigenU 9 Weddigen · 1927
U 9 Weddigen
7.01927
MovieDramaWar
a silent war movie by Heinz Paul

Filmography

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Spring AwakeningSpring Awakening · 1929
Spring Awakening
10.01929
MovieDrama
Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.

Mrs. Bergmann

The Saint and Her FoolThe Saint and Her Fool · 1928
The Saint and Her Fool
9.01928
MovieRomanceDrama
Agnes Günther’s heart-rending fairy tale dazzled turn-of-the-century German audiences and sold hundreds of thousands of copies before being adapted into this tale of timeless passion, the beautiful The Saint and the Fool. The unapologetically sentimental classic was directed by Wilhelm Dieterle, who launched a successful career in Weimar cinema before becoming known for romantic, lush melodramas and technicolor extravaganzas, including 1945′s Marlene Dietrich unforgettable Love Letters. The dashing Dieterle himself plays Harrogate, Earl of Torstein, whose star-crossed love for the luminous Rosemarie of Brauneck (Lien Deyers, discovered by Fritz Lang) is further doomed by royal heroes and villains, the requisite evil stepmother, and fantastical elements that channel the intoxicating romance of Camille through the magic of the Brothers Grimm.